avclub-e65076d21d4b718526e684473c359d55--disqus
Is the space pope reptilian
avclub-e65076d21d4b718526e684473c359d55--disqus

I sometimes do Janis Joplin for karaoke, and I always substitute this lyric in.

Pumpkin spice, please!

I always hear her live show lyrics when I watch the credits too!

It's a hat, but also a noodle bowl so you always have a way to eat wherever you go.

You're made of stronger stuff than I

and air…umm, he breathes it?

Tenzin's willingness to sacrifice himself to prevent Korra from needing to turn herself over was really touching, and he was such an impressive master bender, but I guess I never thought the end was a real cliffhanger. I could totally see them pulling an Obi Wan with Tenzin, but I figured we'd see it all in one go.

The cover of that report has a big red NO on it

They're the true job creators, though! The White Lotus Prison Guard has employed hundreds over 13 years just for these 4.

The Crossroads of Destiny and these two episodes are definitely the defining moments of both series to me, and they are remarkably similar in how they are much more focused natural conclusions to their seasons, incredibly focused on character motivations and emotional states than the other finales, and have incredibly

Tonraq was not kidding around at all with his shots on Zaheer, which was refreshing, since the villains were also playing for keeps. He's also just an especially aggressive water bender; he doesn't do fluid elegance at all.

I was so worried for Lin, not when she said "I love you" to her sister, but when the music became a variation of her sacrifice music from season 1 "Turning the Tides."

The choreography of Korra's bending while chained, which was different in context across the two episodes, was inspired and thrillingly inventive. But the camera work during her chase scene with Zaheer was unreal. This is the kind of camera work most live action action is missing (though, it's understandably harder to

Yeah, even if she becomes a killing machine still, which is dramatically ironic, it means a lot to her that she got to choose this role and use her power for a cause she believes in rather than be some madman's puppet.

I watched these episodes before going to work this morning and was an emotional wreck. The Ultimatum was great on basically every level, but it was not nearly as moving to me as Korra's hallucination or PTSD were in this episode.

Originally when they were going to kidnap her as a girl, they needed her to open the spirit portals. That's done, so I guess they moved on to phase 2 ????, before phase 3 profit.

I think you're right that the series is probably going to have Korra deal more personally with the idea that the world does not need an Avatar, but I want to take a step back and examine that claim from one simple point of view (that has an obvious counter argument, I just want to start the discussion) with just the

Rest in P'Li eace!

If this makes a difference, I meant hopeless about her role in the world specifically, not hopeless about the world in general.

Asami and Korra are both really no-nonsense practical in different, but complimentary ways. I've been so happy to see their positive character combination highlighted so thoroughly this season.