One thing that Coop confused as Dougie reminds me of, is the Peter Sellers movie Being There. He just floats from place to place in this simplistic yet endearing manner. The tear he sheds at seeing the boy was very profound in a way that's hard to describe, like pure sensitivity. And then there's his new ability to…

It's honestly the only show I care about right now. It's a great big bizarre mystery that we're getting to understand piece by piece. It's something we really don't see much these days. Everyone goes on about golden era of television, but I say poppycock to that. Twin Peaks has imagination, and it's not treating us…

To be fair, all of them were freaked out. Richard Horne looks to be the rotten fruit of the tree.

I think there's more to Lucy. Something's off with her, and I have a feeling it's going to be a bit heartbreaking in the end. We laugh now, only to learn it's not so funny later on.

Check out the horror movie he did called The Hidden. If you want more of his unusual human acting, you'll dig that.

Another thing to point out, is how often banal the male monsters are in Lynch's work. Frank from Blue Velvet has terrible taste and crude wants. Gangsters are never romanticized in his world the way they are in say Good Fellas or The Godfather. They're crude, awful men that get what they want, regardless of the pain…

Yeah, this episode was more about moving the pieces around.

What, he's a loser boyfriend, the kind that only a girl like Becky sees anything attractive in. He reminded me of some of the creeps that used to try and date my younger sister. These rat or ferret-faced losers you just cannot stand looking at for more than a minute.

My hope is that the return of good coop to Twin Peaks prevents Becky's death.

No offence, but you have a very naïve view of dogs. Dogs kill, they even do it for fun. One should respect that even though a dog may be trained and domesticated, that it's still capable of violence.

Sweet lord, you don't have to apologize for using straight man.

It's almost like the director cared more.

He kind of reminds me of Dan O'Bannon in that they're crazy idea machines. I'm getting kind tired of people trying to take credit away from people that clearly deserve credit. So he hasn't done much in years, so what. He's done enough already.

He's pretty explosive with that gauntlet.

I really wish they had the gonads to embrace The Valeyard for a season. That'd shake things up.

There's something just off about this season. It feels too recycled, instead of referenced. And too predictable. I just feel so little for these stories, which is a crying shame, considering how great the cast is this time around. I'm not a fan of the maudlin stuff either. This show can and should be better.

During the gas crisis, bums would use a hose to siphon gas from cars. A hoser is a lowly criminal.

Yes, she's still alive. That doesn't mean she has interest in doing all of the musical performances.

There's so much symbolism and mirrored scenes to discuss, that these little nitpicks are really getting on my nerves. I rewatched all four episodes and caught so much that I missed the first time around. There's much more going on here with many other things only hinted at so far. To get so judgey when the show still…

It's Showtime. There's going to be gratuitous nudity.