Oh yeah, that scene definitely did it.

An amazing scene.

Too soon.

Definitely cried at that one.

Looking forward to catching this on FX 10 months from now.

Just as long as it isn't Tribe — everybody says that guy's an asshole.

He's a lawyer AND an academic! What else was @avclub-5bbc67c39fbdf1c74e28b86c595f6e4a:disqus expecting?

87 minutes.

No, that doesn't follow.

I really like "Someone to Hold." Actually, Mardi Gras is underrated as a whole.

I appreciate shows that have a fair amount of racial diversity that is incidental, but it seems like they know how to do this, and have for about a decade. It's shows where the racial diversity is not incidental that seem to be a new breed

I'm not a fan of Euro games generally, but when someone says they're tired of Dominion, the answer is for them to play Ascension. It has the same deck-building mechanic, but instead of having a static group of cards to acquire that are essentially unchanging throughout the game, Ascension has a layout of six cards.…

Did Ming-Na Wen somehow get even younger over the hiatus?

It is hard to criticize this reviewer because she has been the subject of so much ugly criticism in the past, but yes, she seems to jump at shadows quite a bit and, as I said in my other post, quite frequently she mistakes the status quo a work depicts in order to challenge it as what the work is advocating.

No, that's wrong. Her accent is terrific, and the fact that's it's mannered is part of the character.

Is it perhaps possible that the show is **aware** that Eliza is the victim of mixed messages from the patriarchy? Uh, yeah, it's practically text.

My mother was the big Motown fan in our family, and I will always remember the rapturous look on her face after that performance.

I came across Rhythm of the Night this weekend on the radio. I'm always surprised by how much I enjoy that song.

Oy, goyim.

He's wonderful in Ordinay People, although the film is maybe too po-faced on the whole. But he's not crotchety in that.