@avclub-236e42b5af241c85d97910f5c1aa6107:disqus  Oh damn, was that your point? Brilliant.

The devil damn thee black, thou cream-faced loon! Where gots't thou that goose look?

Ironically, that episode is almost a direct reworking of Macbeth.

I'm lobbying for Bryan Cranston to play Macbeth.

I hear their bloody cousins are bestowed in England and in Ireland, not confessing their cruel parricide, filling the hearers with strange invention.

Thank you! All week I've been trying to figure out who these people were channeling.

When was there a clip show?

What fascinates me is Roy's rehabilitation as a character in Season 3. In the first couple of scenes his sole characteristic was being that lousy guy who stood in the way of Jim and Pam. But in "Gay Witch Hunt," Pam broke up with him and he got into a car wreck.

"He is a GOOD guy, not a terrorist!" I love when Michael says what he thinks he's supposed to say and just digs himself in deeper.

What kind of man talks to the DEA? No man.

So who do we think Walter will send to Belize by the end of this season?

@avclub-f62296b9393b6ab9229ebde91ed8469f:disqus Yeah, Huell has been pretty hilarious lately.

Dang. I might have to start watching Community.

"Shut it down! Shut it down FOREVER!"

One thing I love about Jim and Michael's relationship is Jim's embarrassed efforts to play down Michael's awful comments.

Wow, thanks Dwight!

I thought Phyllis's Wedding was a classic.

On the bright side, the rest of this season is pure gold.

Ehh. The Secret has some great moments.

I love when Toby is sitting in the annex, listening to Ryan & Kelly fight and make out, and he slowly realizes that Michael moved him there as a very sadistic form of punishment for being Toby.