I don't know Pit-Pat, the man did direct "Paul"…

Wait, JB Smoove's character is Leon "exaggerated"? Unless he's actually stepping into people's assholes this time around, I don't see how that's possible.

Throw some "Teenage Dream" in there, and you've just about got it.

In response to @avclub-96f15daceb6669363fbf7f762ed57703:disqus :
'Woman' is one of my favorite albums of 2013, and is all around sublime. My only complaint would be that some songs are too similar to one another, but when they're that good, it's not really a complaint.

Oh man, angsty high school sophomore me was all about Molly and Plowed. To this day, I'm not sure if I should give Rotting Pinata a listen based on the strength of those two songs alone.

As always, a few hours late, but what the hell:

That would be nice- echoing many users above, active as I am, I'm not particularly intimate with anyone in particular here, and living in Jacksonville/ Boca Raton part time isn't really conducive for meet-ups, but I will be in NY for a few days in the next week, and I'm sure I'll have time on my hands.

Being broke sucks.

They did? JLU was generally pretty great with it's character arcs, but I really think they dropped the ball with Amazo. He shows up here, leaves via unceremonious deus ex machina in the Solomon Grundy episode, and is never heard from again.

For such a self-contained episode, I can't help but think it was the fact that they had a bona fide Warren Ellis script on their hands that led to Timm, McDuffie and co. to get as much mileage out of it as they could, and make "Dark Heart" a critical piece of the Cadmus Arc.

When I was younger, I thought Veidt's plan had worked, or Would work out in the end. I guess as I've gotten older and become a more cynical and jaded fuck, I would say that, as many commenters have mentioned, the very existence of being a human, and all of the petty emotion that comes with that, precludes Veidt's plan…

It's certainly the most horrifying part of the book- I distinctly remember on my first read-through dreading each turn of the page as it became clear that it wasn't going to end. And then, BAM- monstrous alien staring you right in the face. Between this and Miracleman #15, Moore is certainly the master of genuinely…

75 issues, including mini-series and one shots? Seems reasonable to me. That, and I'd actually be able to participate without having to purchase the material in question.

I didn't get a Justified notification for this?!

@avclub-da518aecddbf5c94588f53562012c452:disqus , introducing Carrie Kelly was honestly one of my last straws with the DCnU. Not for any self-righteous fanboy reason, but because it reeks of laziness and is creatively bankrupt. Why create new compelling stories when you can tread out nearly 30 year old concepts from a…

If pages of Frank Quitely interpreting 'Watchmen' don't make you a believer, I really don't know what to tell you.

In regards to your last point, while that may be true, but when upper management are more concerned with pushing a product than allowing creators to tell stories, why give money to half baked stories produced by a half baked company?

At least in this issue, not sure about in the entire run, Talia really came across to me as an avatar for Grant to air his grievances with the nature of superhero comics. It's usually been more subtle than that, but I got the feeling that Morrison was screaming at us through the pages.

Yes. Rikdad's annotations are what got me interested in this run in the first place, and what had me finally pick it up beginning with 'Batman and Robin' in 2009. Excellent analysis and annotations all around. Grant Morrison fansite 'Deep Space Transmissions' has been a invaluable resource as well.

I'm really hoping NOBODY picks up these plot these threads, because it lends it more of the grand orouboros tone that Morrison was going for, and I'd be more than happy for DC to leave Morrison's run in a happy, self-contained vacuum.