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All of the Dreamers
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In response to Jason's piece about Bono and Edge, I can confirm that there are plenty of U2 fans who ship 'Bedge'. Also, there's quite a few of us (myself included) who ship Bono and Adam Clayton - partly due to Bono's regular habit of kissing Adam during live shows. If you've ever watched the 1987 Live From Paris

I'm gobsmacked no-one's made a Force Awakens Finn/Poe joke yet.

Being in the UK, I've already seen the whole series of Strange & Norrell and absolutely loved it. I had never even heard of the book before, but have subsequently bought it and found it to be even better. The footnotes on their own are delightful. A book has the advantage of having more space to go into the details

Agreed. If you've got the acoustic version of it on the Songs of Innocence bonus disc, that already gave us some idea of how it would sound stripped down, but even that isn't quite as good as the version they did on "Later…" and at the MTV awards. I'm going to see U2 later this year in London and am especially looking

Fassbender starring, Steve McQueen directing… perfect!

Yes, but they're not *THE* joshua tree from the album cover. Unless there's a an identical one that could be it's stunt double? As a U2 fan who hopes to one day visit the site I can confirm that, nerdy as it may seem, it does matter that we visit the *correct* joshua tree.

We watched Schindler's List in Religious Education in Year 9 when none of the class were old enough to actually be watching it. It's a 15-rated film and we were between 13 and 14 at the time the teacher showed it to us. She didn't even send a letter home to ask our parents for permission or anything, just briefly

My year also got to watch The Crucible as part of our History module on the witchhunts. We were mostly studying the UK cases rather than the American side of things, but the teachers thought the film would give us an idea of what it was like. I'm fairly sure we were in Year 9 at the time, so about 13/14 years old and

We watched both the Zefferelli version and the Baz Luhrman version when our year was studying Romeo and Juliet. Conveniently, Baz Luhrman's version had not long been released so we got to go and watch it in the cinema. The Zefferelli version caused uproar with the nudity (and laughter at the bad haircuts).

Duel of the Fates is easily the best thing about Phantom Menace.

And he was wearing a T-shirt with his surname on the back. Still no-one noticed.

It's also something you can imagine happening - a tall wizard (or an average-sized human) probably would bump his head on the ceiling of a hobbit-hole if he wasn't careful! I think it's a nice little moment and I'm glad PJ kept it in the film.

There's the T-shirt, which got a good laugh at the showing I went to.

I saw this last Sunday and absolutely loved it. I wasn't born when these events took place, so I've only previously seen archive footage, but to me, it did seem like a very detailed and faithful recreation of the era. Easily my favourite film of the year so far.

No Farscape? There are at least 3 episodes I can think of that could be included on this list.

For me, the one Farscape character that comes to mind as being "weaselly" is Lieutenant (eventually Captain) Braca. He was happy to do anything to keep on Scorpius's good side and keep himself alive.

I can't see how Portman was even considered for such a role as Lady MacBeth in the first place. She's in her thirties, yet still sounds like a whiny teenager. Cotillard will do a much better job.

"F.N.T" which to me, will always be known as "the paintball song" from it's usage in "10 Things I Hate About You".

Oasis didn't do the whole song, they only used a couple of lines in the chorus of their track "Hello" which was the opener on (What's The Story) Morning Glory in 1995, before all the creepy stuff came to light. It does make me feel uncomfortable now hearing the track, knowing that they borrowed lyrics from a convicted

It came out here in the UK in August last year and I quite liked it, particularly for the fact that it focuses in depth on the characters and their various situations and motivations rather than being a simplistic, good v bad type film. Some people might be put off by the fact it can be slow-moving at times, but I