Yeah, I don't know.  I don't think he told us how he really feels.

According to Simmons, Criss and Frehley were thrown out of the band for being too much like rock stars.  According to Criss and Frehley, they left the band because they were sick of Simmon's bullshit, concept albums and such and being always inebriated they couldn't join forces and defeat him and his cunning ways. …

"Koontzy writes Kissy, imagine that Stevie!  Ole' Koontzy instead of the King!"

"PAR-TEE…all the..TY-EEME!"

Well, it sounds like he really wants Simmons to come out and admit, "Okay, I'm a dick" but if he did, he would be in on the joke thus stealing Rabin's thunder.

Han mathon ned cae…indeed.

Han mathon ned cae…indeed.

Ugh, too touchy-feely and Noami Watts, while admittedly gorgeous, is no Fay Wray.  The 1976 version is my favorite, campy (full-bearded Jeff Bridges, Charles Grodin and all) though it may be.

Ugh, too touchy-feely and Noami Watts, while admittedly gorgeous, is no Fay Wray.  The 1976 version is my favorite, campy (full-bearded Jeff Bridges, Charles Grodin and all) though it may be.

Yeah, but let's be honest.  She's one "Neither Fish Nor Fowl" away from buying Phillies with an EBT card.

Yeah, but let's be honest.  She's one "Neither Fish Nor Fowl" away from buying Phillies with an EBT card.

Up with people, she is not.

Up with people, she is not.

Message to Rihanna:  shut up, bitch (smack), I'm your boyfriend now!

Message to Rihanna:  shut up, bitch (smack), I'm your boyfriend now!

If you have the original records, Aeroplane, and the various live/bootleg source stuff that floated around for years, you don't need this record.

If you have the original records, Aeroplane, and the various live/bootleg source stuff that floated around for years, you don't need this record.

What really gets me about the movie - one of my favorites - is the "profiling" aspect of the story.  The "right" man, the criminal, only vaguely looks like Henry Fonda's character.  Now I remember, there was a rash of muggings where I lived on the Upper East Side back in the early 90s - a young man, white, tall, with…

What really gets me about the movie - one of my favorites - is the "profiling" aspect of the story.  The "right" man, the criminal, only vaguely looks like Henry Fonda's character.  Now I remember, there was a rash of muggings where I lived on the Upper East Side back in the early 90s - a young man, white, tall, with…

Really one of my favorites.  I'd hate to see this re-made.  They might have the pathos down, but it would not be rated R with all the nudity.