That's too much man.

Maybe the tiniest little bit. But most people hate Shakespeare and have never even heard of the Tower of London — which, btw, Royal connections up the wazoo and, uh, down the stairwell. And the West End, well, no; other countries have crappy musicals too.

Cost a great deal of money, but bring in a great deal more.

Why?

That's a trick question.

Yes, and to get the target audience behind the new brand, Google has (very, very, very probably) hired Jimmy Kimmel to troll Let's Players into the shape of a rabidly loyal army.

You Tell 'em!

Yeah. It's more DMT history over there these days.

In my head this is a story about John Waters and David Lynch.

I never said "everything," and your "unless…" makes zero sense, but still:

…but Hulu is owned by a consortium of multi-billion-dollar multinational corporations that already own most of the content outright. That they have the gall to charge more than Netflix — which has to pay to license nearly all its programming — and on top of that still play ads in the most obnoxiously intrusive way is…

more like stinko amirite

*clicks video to pause commercial to have enough time to pee before climactic end of show*
*is sent to the advertiser's website in same tab*
*hits back button*
*show resumes from beginning*

ship shaggers

No Homers in Canada — that Simpsons streaming site doesn't work here.

The tricky thing is that it was a syndicated show, without a network backing it, so anything controversial had the potential to freak out and/or piss off enough of the little independent station owners to the point that half the show's market could disappear overnight.

Fun fact: Riker had a "roommate," an alien from the planet Trombopoli IV, who was very male and surpassed even Riker himself in terms of horniness.

Why do I get the feeling they're mostly pediatricians' associates?

It's not a reboot.

The sad thing is, that's pretty near the truth. There's approximately seven things on Crackle anymore, and Joe Dirt is two of them.