gizmo1492's talking about Amy's dress in "The Bet". The one Jake made her wear, saying she looked like every girl at every Bar Mitzvah he ever had a crush on. Which did indeed look exactly like the Bar Mitzvah girl's dress.

I feel like Philip and Elizabeth should set up Martha with Brad. It wouldn't solve any of their problems, but c'mon. Let the kids have their fun and not be unbearably sad for a little while.

"Hell yeah! Rolling Stones' Street Fight, man! G! Sevoooooonnnn!!!"

I enjoyed Bent if for no other reason than it allowed me to watch George Bluth Sr. hang out with Tawny from Even Stevens and think, "Yes, this makes perfect sense."

SPOILER ALERT:

Billy and Mindy were the best. I can only hope that after the Taylors left Dillon, Billy and Mindy became a white-trashier Coach and Mrs. Coach for a new generation of teen delinquents.

Brooklyn Nine Nine! Also, a lot of sitcoms from the 80s and 90s that network execs these days would somehow be afraid to make. Doesn't really make sense.

I shall call it SawyerChuck.

I really enjoyed this piece. I agree that the most affecting moments on TV this year for me weren't the slashed throats and jerry-rigged machine guns, but the seemingly tiny moments or realizations that bring two characters closer together. These are the things that will stick with me.

Are there actually people rooting for Sally and Glenn? I mean besides the fact that they're children, I like the older brother vibe he's been exhibiting. Little Creepy Glenn has come so far.

Sally and Gene? Gene is like three. And her brother.

Dougie really turned out to be the surprise of the season. His final exchange with Amy was hilarious.

Haha fair enough. I guess auteur television only works when the auteur is humble enough to explore the flaws of his characters. Fellowes seems more invested in showing that noblemen like himself are really nice, see? (mild S4 SPOILER: none of the upstairs people is racist? Really?) And when the same characters have…

Can we talk about how Mike White wrote all 18 of these beautiful, painful, uplifting episodes without even the smallest of writing staffs? (As EP/co-creator, I'm sure Dern had a lot of input, but White is the only credited writer.) It's such an incredible accomplishment, obviously only made possible by the cable TV…

…intriguing show that I'm going to try out based on this article, and then perhaps I will have a new favorite show.

The moment in "All I Ever Wanted" when Amy opens the door expecting Jeff and seeing Levi instead was honestly the most emotional I've been made by any television show this year, including GoT, Mad Men and Breaking Bad. It was such a simple scene, but it packed in so many conflicting feelings: surprise, elation, dread,…

The ending may not be proper, but it's perfect.

That was just him being cheeky. The kid is Bill's. With the capping, their odds were much better (hence how she got pregnant the first time). When Libby asked him to cap her again, Ethan said "Bill knows it's a one-in-a-million chance", meaning Bill would know he didn't get Libby pregnant just from sex.

It was indeed Lizzy Caplan singing, as she discusses somewhere in this 40-minute interview that I watched all of because I am an obsessive fangirl: http://www.youtube.com/watc…
ETA: She discusses it at 22:32.

Ethan only used Bill's sperm. Bill knows this. He's angry because he didn't want Libby to get the treatments anymore. He didn't want her to go through more heartbreak and, it seems, he was somewhat relieved not to have to be a father.