I've had these arguments too many times at this point. Let's just call a truce on this one.

If the trailers for Beyond are any indication, at the very least we're going to get some amazing outer space porn from the cinematography. Justin Lin has never been in the habit of making ugly movies.

That happened to me in Catwoman. They had to start the film from the beginning and we were about halfway through when it broke down.

Yes, clearly they should have used some Gilbert and Sullivan, that clearly would have made the movie appealing to anyone under 45.

but you guys I have some hot new opinions about 9/11 I can add into the script

fuck you for reminding me of that bullshit motherfucking fucker fuck shit fuck

I mean there's plenty of questionable films I enjoy because I watched it as a kid. There's stuff I just cannot look at from any objective standpoint. One of my absolute favorite films of all time is the Bandaras Mask of Zorro from the 90's because I watched it about a billion times as a kid, so while I think it's…

This movie is about the Trek team landing on an alien planet and interacting with other cultures while overthrowing a local warlord.

I don't understand why people still love Hook in a world where the 2003 Peter Pan movie exists.

I didn't hate it or anything, it was perfectly watchable. But considering the level of talent involved with pretty much every level of the production I was hoping for something more then "pleasant but forgettable diversion."

The Michael Giacchino scores from the JJTrek movies are fucking awesome, even the biggest and angriest Trekkies can usually admit that.

Tintin was fine. It was maybe a couple extra drafts away from being great, but it has no third act and there's too many pointless characters that are clearly fanservice for the book fans, but mean nothing to anybody else.

Crystal Skull. What a dull, ugly, pointless lump of a movie. I never thought I would watch a film and go "Man, this really makes me appreciate Temple of Doom so much more!" but here we are.

It never ends.

Dahl is especially hard because his stories are so ephemeral and tonally broad, they'll swing from glittery charm to pitch-black comedy at a moment's notice.

I don't have an issue with the sentimentality of the ending, it’s more the entire character Tim Robbins is playing. He may as well have wandered out of Last House on the Left, it just doesn’t fit at all for me.

Movies like this are why I loved Bone Tomahawk so much. That film never pretended to be anything other then what it was, glorious B-movie madness wrapped around a slow-burning character drama.

Interstellar was sure as shit better then the actual movie he won the Oscar for.

Sure thing, I'll believe it when I see it.

Sometime in 2037, if the delays are anything to go by.