@Karl Hungus - I would say that The Bronze is the best non-album track (it's now on the S/T reissue), but Infinity is also bad ass, especially the heavier first version (the second version is a bit more conventional rock).

Yeah, I love Era Vulgaris. Misfit Love, Turnin' On The Screw and Suture Up Your Future are up there with the best work they've ever done. And bonus track The Fun Machine Took A Shit And Died is wild.

Hollywood fucking assholes
It absolutely astounds me that these Hollywood assholes think they can get away with lying about something when the truth is readily available to all.

Ah, a reference to two stories at one. Don't cross the streams!

So true. He's still dragging out Lost 'exclusives' even though the show ended EIGHT fucking months ago.

Dude.

Then you, sir, are an imbecile.

I love how in the US Ian McShane is seen as a badass who elevates whatever he appears in, whereas in the UK he's mostly known for playing a fucking antiques dealer for eight years.

I love both The Daily Show and Colbert Report, but I'd give the edge to The Report due to consistency. Each episode of The Daily Show lives and dies by the comedy bits they use, and which correspondent they use, and the quality can vary wildly. But as The Report is essentially the same format each night its quality…

1) Greek is a current show, The Wire isn't.

He definitely needs to be in something better than this.

Fringe Notepad
You've never seen a notepad with the ring binding at the top?!

A sad day.
Sayonara Mr Kobayashi.

My thoughts exactly. This read more like the blurb off the back of the DVD case than a review.

The live element is essentialy the only reason why I watch the UK show. If it were pre-recorded then it'd be far too basic a show to be compelling, but the live element adds an air of unpredictability that makes it worthwhile.

I think it's time we all acknowledged and accepted the fact that the industry just doesn't love Community as much as us mere mortals do.

Didn't say she had to know every other comedian or writer, but one would think she'd have a broad enough knowledge of her chosen field to be aware of someone who stared in a sitcom for three years, especially as she presents herself as an avid consumer of pop culture.

False equivalency. Todd isn't a comedy writer, Amelie is. Todd failed to recognise a visibly different Tompkins, Amelie was unaware of a comedian known for both his TV work and stand-up.

I'm sure the BBC is fine with showing other channels' shows. It means they get the reward without the work.

@Mustard Tiger - The MPAA does not issue ratings based on whether an age range would care about the subject material or not. If that were the case then they wouldn't give ratings to Rob Schneider films, as nobody, of any age, wants to watch those.