"Say what you said to me that night at the lake."

Son of a b…

Here you go -

Who's still dead.

Hey, where'd she go?

You have to work Woodrow Wilson in there somewhere.

Pretty sure that these guys would have to use the tradesman's entrance at Downton Abbey.

Reed and Crawford get my vote as the most unlikely screen siblings ever. Hard to believe they have the same parents. The movie is fun, tho. Especially
Michael Hordern at his most clueless.

Lupe Fiasco? Eh, I've always preferred José Disaster.

The Red Shoes also features the amazing Robert Helpmann, probably the only person to have starring roles at Sadler's Wells and The Old Vic. Movie buffs will know him from Olivier's Henry V or 55 Days at Peking. Horror movie fans may remember him as the doctor in Patrick.

It used to really piss off Altman when people would tell him how much they loved 'his' TV show. He loathed it with a passion. I wonder if his attitude would've been different if he had a slice of the action? Maybe not.

I still remember the shock I felt when I first saw Altman's MASH after years of watching the TV show. I just couldn't accept Sutherland and Gould as those characters. However, as the TV version became more and more preachy and less and less funny and as Altman became one of my cinematic faves, I started to develop a…

I prefer my travelogues hosted by Michael Palin.

and he has a head like a fucking orange.

JGL's movie sucks? Shhhhh…nobody tell Scrawler.

With a dildo, you don't have to worry about the batteries running out.

Yeah, I thought we were making bad jokes on purpose. Not top notch comedy like a professional. Boy is my face red. Now if someone were to pay me for my witty bon mots I might put more than 90 seconds effort into the enterprise.

As @avclub-997c221538094d134659141cf61d51e3:disqus pointed out blacklisted directors in the '50s sometimes went abroad. The most successful was probably Jules Dassin. Rififi, Never on a Sunday, Topkapi. His noirs in Hollywood in the late '40s are brilliant, as well.

As @avclub-997c221538094d134659141cf61d51e3:disqus pointed out blacklisted directors in the '50s sometimes went abroad. The most successful was probably Jules Dassin. Rififi, Never on a Sunday, Topkapi. His noirs in Hollywood in the late '40s are brilliant, as well.

Taken 3 Men & A Baby