I like the Abel Ferrara version because it's really just a metaphor for how everyone else seems to change when you're growing up, when you're the one that's changing. Though the Siegel and Kaufman versions are better overall, I've never preferred one over the other because they're just different movies that are…

The Cramps put on some of the best live shows I've ever seen. A band that played a show at a mental hospital, that is more rock and roll than most bands who call themselves rock. Sad that I'll never get to see Lux climb yet another tower of speakers in high heels ever again.

I'd rather see Barker make that unmade (unwritten?) sequel to Cabal/Night Breed.

He could do something like was done with Clue, and in this case release two versions simultaneously in different theaters with different jokes but the same storyline.

It took you until 2012 to realize he's been making mostly duds since 2000?

So obviously Johnny Depp will be in this.

Tongue wagging?

The theme of surveillance has been one of the themes throughout much of the work of Richard H. Kirk and Cabaret Voltaire. Kirk even released four albums under the project name Electronic Eye, and had another solo album called Virtual State among his prolific output. Cabaret Voltaire had an album and lengthy track…

This sounds like that show about kidnappers that starred Jeremy Sisto years back. I couldn't figure out how they'd manage to make a story about a kidnapping situation and a hostage negotiator drag on for years. Predictably they couldn't as it lost most of its momentum in about six weeks. I don't know how many episodes…

I thought this was going to have something to do with King-Size Homer, his fingers too fat to dial a phone number, and the special dialing wand.

Gillian Anderson is so good in that version.

L Word had a female-to-male character. Showtime though, explored things CW wouldn't be able to.

I can't wait for the meta version, in which we get to watch people watching people watch TV. Etc.

But they said my baby was guaranteed to become a famous DJ by age 5 and look at all the money we wasted!

Gingham went well with 19th century pioneer poverty, so it can work for your 21st century poverty too.

He played Andy Warhol in I Shot Andy Warhol.

Back in the day, before the furry costume, all she had to do was put a wig on/take it off to reveal a more mature identity.

Cabaret Voltaire have always been underappreciated in the US, which is absurd given their huge output of albums and 12"s. The Crackdown, that's the first album where their concept of dance music finally solidified, post-industrial electronic noise.

My thoughts about the last season and part of why I gave up on it then, wasn't that it was bland, it was that it was almost like Ellen and the writers had to work overtime at that point to prove themselves. This is sometimes like what happens once people know you are LGBT — watch, I can do everything you can do, just…

As long as there are previously unexplored medical conditions that can be used as some kind of relationship issue metaphors, that show could conceivably go on for decades.