I'd just assumed that Sakai was discarded to the B5 version of Mandyville, but instead she was kinda like the show's Nikki and Paulo ('oh she was there, just standing off camera the whole time!')

I'd just assumed that Sakai was discarded to the B5 version of Mandyville, but instead she was kinda like the show's Nikki and Paulo ('oh she was there, just standing off camera the whole time!')

Can I just say that Wild Palms is better than it should be given all the things that are wrong with it? The VR stuff is dodgy at best - especially the VR addiction that Ernie Hudson develops - but at least they don't try to make it look "futuristic" and "edgy." And casting a way in over his head Jim Belushi as a way…

Can I just say that Wild Palms is better than it should be given all the things that are wrong with it? The VR stuff is dodgy at best - especially the VR addiction that Ernie Hudson develops - but at least they don't try to make it look "futuristic" and "edgy." And casting a way in over his head Jim Belushi as a way…

Killing Mike speaks to Walt's thought process. His first reaction to getting verbally bitchslapped is to lash out in whatever way he can - see also denying Jesse any buyout when he insisted on disintegrating their partnership - and then to let logic seep through and realize that he did something stupid.

Killing Mike speaks to Walt's thought process. His first reaction to getting verbally bitchslapped is to lash out in whatever way he can - see also denying Jesse any buyout when he insisted on disintegrating their partnership - and then to let logic seep through and realize that he did something stupid.

THOSE ARE BLUE TOO!

THOSE ARE BLUE TOO!

The Rita arc has a lot of the show's best moments for my money - GOB roofie-ing everyone, George Sr.'s Scared Straight speech, the full-family chicken dance fer christ's sack - but other than the final two episodes it's just that, moments. Until "Mr. F" there's no episode with any sort of sustained comic momentum that…

The Rita arc has a lot of the show's best moments for my money - GOB roofie-ing everyone, George Sr.'s Scared Straight speech, the full-family chicken dance fer christ's sack - but other than the final two episodes it's just that, moments. Until "Mr. F" there's no episode with any sort of sustained comic momentum that…

MAAAAAAAAAAAAAAAAAAAAAAAAAAACK TEN!

MAAAAAAAAAAAAAAAAAAAAAAAAAAACK TEN!

Was it season 5 or season 6 that had the Rory Gilmore Sex Boat? Because if it's season 5 you've got an uphill battle in defending it to me.

Was it season 5 or season 6 that had the Rory Gilmore Sex Boat? Because if it's season 5 you've got an uphill battle in defending it to me.

Agreed. "I Come From Nowhere" alone makes it worth owning even if the rest is incredibly hit and miss.

Agreed. "I Come From Nowhere" alone makes it worth owning even if the rest is incredibly hit and miss.

There was a time where I could recite Beefheat's "Pena" completely straight-faced. This never got me laid, strangely.

There was a time where I could recite Beefheat's "Pena" completely straight-faced. This never got me laid, strangely.

I maintain that The Last Dog and Pony Show is severely under-rated, but "Mega-Manic" doesn't make that point of view seem sane. That said, "Who Was Around?" is probably his best post-Sugar song so it kinda balances out.

I maintain that The Last Dog and Pony Show is severely under-rated, but "Mega-Manic" doesn't make that point of view seem sane. That said, "Who Was Around?" is probably his best post-Sugar song so it kinda balances out.