Julianne Moore can come back! You'd think the red underwear would clash with her hair…but it doesn't.

Julianne Moore can come back! You'd think the red underwear would clash with her hair…but it doesn't.

Rickey, I was going to take you to task for your arrogant declaration that you were "the greatest ever" upon breaking Lou Brock's all-time steals record, but Wikipedia tells me that you're very sorry for those remarks. Maybe you're not such a bad guy.

He DOES have an olive oil voice and guinea charm.

Best of:

Liver cancer…that's a big deal!

Oh God, no.

baahahaha so much great stuff here I never knew about.

C'mon now. The "show's intent" was to make ABC money. It did so by expanding the mystery week after week, and even outside the show itself. Do you think the point of the supplemental Lost material (the ARG game, etc.) was made so we could delve into Kate's character? Of course not - it was creating interesting…

Without having seen most of the 3 shows you mentioned, I can tell you definitively that it is.

Wow, great call.

Any time Quantum Leap is referenced, I'm contractually obligated to bring up the Halloween episode, which was awesome and still haunts me.

Well-said, and with all the nerd rage-offs happening around us, I'd like to mention Cheers as the benchmark for a finale because, hey, sometimes change isn't that good.

Right, and even if you think they pulled it off, it's a corrupted vision and not to be trusted.

Extra points for a Don Dimello reference in the midst of raging Lost/Sopranos/BSG nerdboy discussions.

Damon Lindelof co-wrote the upcoming movie cinema film Prometheus.

The problem, Apes, is that the ending allowed the showrunners to do BOTH. "SEE, SEE, they WEREN'T in purgatory the whole time! Just something almost exactly like it, which conveniently allowed us to use the same ending we'd already gone through the trouble of drafting."

Don't you have Prometheus wrap parties to attend, or something?

Yep…my problem with the ending was that it was essentially an elaborate switcheroo where the showrunners could go ahead with their initial ending ("they're all dead!"), but in such a way that they could proclaim to the viewing public (that ferreted out pretty early on that the 815ers were/should have been dead) "SEE!…

TERRIFIC ISN'T BETTER THAN AMAZING, JERRY