I honestly feel like Klaus could be a pretty decent guy if they gave him a chance.  Like, all his issue are tied up with feeling loved, and with his family. Caroline fulfilling the former, and the plot taking care of the latter…I feel like he could end up being the character with the least baggage. Oh gawd, I'm…

I feel like Tyler's on the chopping block more than Matt. But, as most  things with this show, it's likely wishful thinking on my part (I like Tyler, but Klaus usurping his romance kind of leaves him without purpose, unless he and Jeremy team up, or him and Bonnie, which might even be good for them both).

I really do feel like this show needs a proper villain. Klaus is too sympathetic and adorable at this point, even when he's mean. They really need a Big Bad who cares for nothing more than EVIL. At this point, them being friends with Klaus would feel more appropriate than their being afraid of him.

I agree. During this run of this show, it was my favorite show on TV, pretty much. Like, the idea is to pick these shows apart, but Misfits does its thing, has its own identity, and is written pretty honestly from a character perspective, so…I felt like this episode was successful and that it made me laugh and made me…

I think the next episode really, really works as a bit of storytelling, and is a great episode, but a couple time-travel things are glossed over for entertainment purposes, and I suppose I will share my opinion on that stuff next week.

I feel like Hugo would've done better coming out, like, this weekend.

It's funny, because Joss Whedon was open and upfront about being willing to shoot in 3D, since he mostly does long takes, so there wouldn't really be too much lugging the camera around. I guess this is cheaper, but it still sucks (I mean, it's not like I'm going to see it in 3D, but the idea sucks). They should've…

SPOILER KINDA?

Yeah, I didn't know the first time either (I'm on my third watch-through of this show, though, and only really understand what the fuck is going on now), and was confused about, if they were mob guys, just exactly where Tony thought he could run.

My next-door neighbor growing up plays one of AJ's friends. Very jarring as I go back and watch this show.

Me, too. I hated not being able to talk about it when no one else was, and now they are, and I still can't!

I liked that they forced Rudy on us, making it so that, by the time we get to next week, we've spent a good amount of time with everyone, including the new guy.

Which is why it was important for her to start wearing a wire, which she never got around to. Plus, I'm pretty sure Chris got the sense that she was essentially giving the feds the runaround, but, of course, the boss couldn't take any chances.

Oh, man. I thought the book was so funny. I don't know.

Yeah, I like the book a lot (more than I probably should) and aside from Christian Bale's (body) performance, I didn't really think the movie was all that great.

Vito was also a selfish dickhead who tried to stiff Carmela out of money, was trying to finagle a way to be perceived as 'boss potential' while Tony was incapacitated, and sorta happened to be living this double-life, one he was never entirely comfortable with, I guess. I dunno, I felt for the guy, especially all the…

I disagree about the Vito thing. I think the man became interesting once Finn caught him in that truck, and Vito responded by calling him his 'arch-nemesis', and inviting him to a baseball game. Like, what would that 'date' have even been like?

I, too, call out celebrities in my dreams. They're much more cool with it in dreams than I imagine they'd be in real life.

This felt so much like Mike White getting out an auteur type thing before whatever possible cancellation might come (I watched the Buffy episode "the Body" recently, and this reminded me of that, in the obvious this-is-what-I-want-to-do-ness of how calmly it all played out), that I'm scared the show might really be…

I think it also helps that we're getting to know these people. But yeah, I appreciate that no one seems to be acting in a way to purposefully add to the 'drama', and seem to simply be being themselves at this point.