That was my first question, too.

Woo Regina King woo!

Oh, we'd get some use out of the whip as well.

"Oh boy, it's the voice my grandfather makes when he doesn't understand something and is angry about it for the next for years"

That's the best part. They're straight up announcing that they self-identify with the Empire.

But we're still one short of McDuffie's rule of three! It's the rules!

Interesting! Queerness-indicating faeries blatant gay agenda, or female-Lysander blatant gay agenda?

Cena will always be decommissioned Soviet cyborg The Prototype to me.

Kill means kiss.

I've heard it described as the most vocally demanding baritone part in American musical theatre (which…sounds like an oxymoron to me, but that's neither here nor there).

At first I thought they were going for an early morning/crack of dawn thing.

"The New Girl in Town" is such a good number, and it provides a ton of context. There are a few songs from the stage musical I'd cut over it.

The L.A. Woman issues of Hawkeye were a hoot. I'm so in for this.

Bro.

I'm finding some fun resonances in Chess at the moment.

Holy shit learn to stand still and listen to somebody else's song, Ariana Grande. You should not be trying to pull focus during I Know Where I've Been. What the hell was she doing during I Can Hear the Bells?

Nice text selection for it. Real excited for that.

If you've got Ming-Na Wen in your cast, why not have her play multiple characters pretending to be her regular character?

The stripper bit wasn't particularly funny, but I wasn't complaining, if you get my drift.

Despite her doing good work and some good detailing, I thought the general treatment of McAdams' character was a pretty impressively un-empowering way to present a love interest who's good at her job, is clearly fine without the hero, never kisses the hero, and is a goddamn doctor. I liked her as a character, but in…