avclub-96dc606adf1ca040f2f39292976dd546--disqus
Mike Pipper
avclub-96dc606adf1ca040f2f39292976dd546--disqus

The best part is that Ryan Murphy says "I want to do something that just sort of says, 'You know what, thank you for what you've done.'" My question is, what the hell has she done that deserves reverence?

I already have, the strangest pizza i can imagine (half canadian bacon and pineapple, half artichoke and pesto), but when you see it, it will look like cheese.

I once knew this real housewife who had a dozen guys. When Whoopi Goldberg found out about it, she beat her so bad she went to the hospital on Guerrero street..

Yeah, this whole idea seems pretty retar- I mean misguided.

No, but that's my point. At the end of the show their relationship is already over. It isn't doomed.

Not to be too picky, but doesn't Michael basically persuade George-Michael to break up whatever he has with Maeby at the end of the last episode? I thought that was part of the deal with Michael and son running off to Mexico. So technically they aren't doomed because their doom has passed. I imagine that if they ever

No, the show definitely jumped the shark at the end of the third season. Not saying that there wasn't anything good after that (deposition, dinner party), but it wasn't the same after Pam and Jim became a couple.

*spoilers*

Sorry to disappoint you, Kyle, but I recently saw Howl (aforementioned Ginsberg biopic), and its not very good at all, particularly Jon Hamm's scenes, where he argues with David Strathairn in court about Howl's literary merits. It's pretty dull.

And by Kubrick explaining I mean shown in his treatment and such.

It's quite big of you to assume that the ending is "genuinely happy," because the scene before that when the alien tells David that he will only have her for just one day undercuts the aesthetic. It does look happy, and David certainly is happy because he believes that his love could be enough for the day to last

Well, I liked the ending, but as most of AI's defenders would say, its hardly a sentimental one, unless you think post-apocalyptic aliens teasing a child with an illusion of happiness they can never fully attain is sentimental.

I must admit, this last part really offended me, because it continued being a love letter to Banksy and a poison letter to any artists less talented than he.

Yeah, for the first hour I was just sitting there, starting to nod off, then I saw THAT shot, and my jaw dropped. It stayed just as good from there.

I hates that rabbit!

First of all, great job with the review. Having seen the movie, I'd find it hard to describe the movie without describing anything that happens. What bothered me the most was that there were several plot strands towards the latter part of the film that went nowhere. It was to me a sandwich of boring.

I can attest to the latter point. When I tried to Netflix it, it stood at the top of the queue for weeks. Finally, I got and watched the first disc, but the other two were held up indefinitely. Very, very frustrating. Luckily, they have the movie at my university library, so I managed to see it.

That reminds me of the bit from "Prince of Space" when the kid suddenly turns into a Mafia don: "WE LIKE IT VERY MUCH."

I have friends who have parents who teach at Yale with Mr. Bloom, and they say he's as much of a douche in real life as in print.