It's so weird that Switched at Birth and The Fosters both independently came up with the same bizarre "bipolar mom" story just a few weeks apart.

The funny thing about these 5-6 year waits between books is that A Storm of Swords came out just 21 months after A Clash of Kings, and is both the longest and best book of the series. If the next four books had come out at that rate after Storm, the 7th book would have come out in 2007!

I think I just touched Morty's load!

This was definitely not as good as "Amazon Women In the Mood," but that is a bona fide classic TV episode, so I wouldn't have expected it.

This season of Community was produced without knowing when it was going to air, so it is likely coincidence… but a rad one.

Do you even have a career plan?!

What moves did it use to do that?

Koogler?!

Although he doesn't still insist it's as good as ever, I know a guy who has still seen every single episode, all (I had to look this up) 543 and counting of them. I think it's kind of a "I've come this far, I have to finish this thing" mentality at this point. Which I can understand; I'm the same way with a few shows.…

I agree. The Fosters is a show I have become fond of, and it's having a pretty solid run so far this year.

Based on the pretty intense criticism of True Detective criticism I've seen on this site and others, I doubt this will make me any friends, but I walked away from this finale pretty ambivalent. I still think the season as a whole was a very solid crime novel for television - hitting a searing two-episode high in…

Whatever the effects budget for this bad boy was, they got their money's worth during the initial trip through and beyond the solar system during the cosmic address segment. That was eye-poppingly great-looking.

I will go with A-. Only falls short of A because, as mentioned in the review, the animation was sort of stiff. But the effects were fucking BEAUTIFUL on an HD TV during the journey through the solar system/observable universe, I loved the cosmic calendar, and found Tyson's Sagan story at the end quite moving.

Right-wing politics might be a hobby for Rupert, but the god he worships is the almighty dollar. If he thinks he can get eyeballs and make money with Cosmos, by god, Cosmos shall be on Fox.

I'm pretty sure a few talking heads on FOX News bitched about the gayness of Glee back when Glee was a big cultural phenomenon (which was only a few years ago, but doesn't it seem like another life?). I think the networks are separate enough for inter-network feuding. At least I hope, because that would be fun.

Cosmos is high up on my list of most anticipated TV events this year. So much so I haven't gotten sick of the ads even after seeing like a hundred of them. Fingers crossed it meets expectations.

This show is just the best live-action comedy on TV when it comes to genuine storytelling in 22-minute slices. Episodes like this really show why - it goes through so many acts and so many reversals at such breathless speed. The initial introduction of the app, the rise of the caste system, the talent show, Britta's…

Craig is making me reconsider everything bad I ever said about Jamm. I now know how much worse a character can be.

I'm a fan of Hannibal and True Detective and Justified, but I feel like this episode has officially made Arrow my favorite drama on TV at the moment. I never in a million billion years thought I would say such a thing back in fall '12, but here we are, and I'm loving Arrow like nothing else.

I would love to see that, do you have a link?