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I love Ray  - enough to have put the Apu Trilogy in my top films of all time list - BUT after a certain point, the quality of his films fell off, sadly.

I love Ray  - enough to have put the Apu Trilogy in my top films of all time list - BUT after a certain point, the quality of his films fell off, sadly.

I saw "Woman Under the Influence" and promised myself I would never willingly subject myself to that kind of hell again.

First two are good choices, can live with your #7, the rest - no.

Even the famous Ophuls film of La Ronde is a pretty  hollow affair, its lovely to look at but not very engaging.

Even the famous Ophuls film of La Ronde is a pretty  hollow affair, its lovely to look at but not very engaging.

If you're looking for something whose raison d'êtres are cross-you-heart bras, lipstick and eyebrow pencil - this is the movie for you!

If you're looking for something whose raison d'êtres are cross-you-heart bras, lipstick and eyebrow pencil - this is the movie for you!

Chimes is wonderful - agree its the best Shakespeare film (although the Russian King Lear is pretty good).

Chimes is wonderful - agree its the best Shakespeare film (although the Russian King Lear is pretty good).

jerkheadface

I admit that for the most part I admire most of Lubitsch's famous films more than I like them, but there is just something very, very special about Shop Around the Corner to me, on the surface it's like a nice little puddle but if you put your hand in it it just gets deeper and deeper, like the ocean.

I admit that for the most part I admire most of Lubitsch's famous films more than I like them, but there is just something very, very special about Shop Around the Corner to me, on the surface it's like a nice little puddle but if you put your hand in it it just gets deeper and deeper, like the ocean.

(whoops)

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Pshcho's dopey psychiatrist scene is saved by the AMAZING final scene with Norman. I have been talking a lot of smack in the comments section about Hitchcock's FX but the superimposition of a skull on Norman's face is pure and utter genius and one of the scariest things I have ever seen.

Pshcho's dopey psychiatrist scene is saved by the AMAZING final scene with Norman. I have been talking a lot of smack in the comments section about Hitchcock's FX but the superimposition of a skull on Norman's face is pure and utter genius and one of the scariest things I have ever seen.

Did The Leopard or The Conformist make the top 50?

Did The Leopard or The Conformist make the top 50?