I know RHCP gets a lot of shit. but at this point, they're a legacy band that's the equivalent of comfort food. They make okay, inoffensive music that gets played into the ground because alt-rock radio is in an identity crisis.
I know RHCP gets a lot of shit. but at this point, they're a legacy band that's the equivalent of comfort food. They make okay, inoffensive music that gets played into the ground because alt-rock radio is in an identity crisis.
Danger Mouse works really well on albums where he's supposed to play a prominent role, like Gnarls Barkley, Gorillaz and Danger Doom. But yeah, when he's in charge of producing a band. you can always tell by the way he makes the bass super dull and the vocals usually boring. That said, I'm interested to hear all of…
Eh, I disagree. I enjoy "Elf," "Anchorman 1" and most of "Step Brothers." But he has more misses than hits.
That's hilarious. Especially because the refrain is "I love the pussy."
Very true. One thing I think Nabin misses is how this cast doesn't jell comedically at all. Cruz is a waste, Ferrell is hoping his mugging will compensate for the lack of humor and Wiig and Mooney are stuck with two of the worst comedic characters this decade.
The theatrical experience of that was so great, with the fake trailers starting right after the real ones. After the "Booty Juice" and "Bust-A-Nut Bars" ad, you just heard one guy seriously confused in the theater go "………..What the fuck?"
It was exactly like trying to do a sequel to "Dumb & Dumber" - there's no point. The first one was such lightning in a bottle that maybe, MAYBE, it could have been point five years after the original. But a decade and some change? No.
Yeah, Nabin seemed a little harsh on the first "Zoolander," a movie that really knew how to use cameos to its advantage, which the second had absolutely no idea.
I'm just now starting on it and I have to agree that the voice acting, save for a few characters including the host is pretty atrocious. its like we're listening to the run-through of a script reading.
I'd argue his character was the first to suffer from the drop in quality. It was the first reason I stopped watching,
I'm pretty sure most of us have been saying how much Stonestreet's character is a caricature of gay men. They did their best fleshing him out in the first couple of seasons, but when he basically became a shrieking queen, it was apparent they didn't respect the character's journey anymore.
Oh yea, I hear you on that.
Sawwwmm BAWDY
MTV still has a three-hour block of videos during that time where only insomniacs and addicts are watching TV, so I give them credit for that. Even VH1 shelved all their videos for "Fresh Prince" and "My Wife and Me" re-runs.
It has everything America loves - Smash Mouth and Dane Cook!
25-30, I would say.
Well, "Clarity" is viewed as a defining emo album. It's also fantastic.
Smash Mouth and Sugar Ray both took the same career trajectory and just about the same time where they were both fairly explicit bands with a raw-ish sound that completely sanded off all the edges when they got a hit song. Then they both sucked pretty hard. But both of their earlier works - eh, it's fine and catchy.
That's sad. I remember lots of magazines and such touting her as a star with a bright future. Instead, she got her own show that tanked and now she's a hairstylist.
I could see either one nailing it. But the movie would do terrible at the box office.