avclub-6b2faeab8a9ae46c57776a8359f489c4--disqus
WhatTheFDidIDo
avclub-6b2faeab8a9ae46c57776a8359f489c4--disqus

Was just going to write something similar. Swearengen cleaning up yet another stain, telling one more lie. A fitting end for the series as much as I wanted a 4th season.

"You can email me at splett2@splettnet.net. Splett1’s my father. I’ll be sad to see him go, but it’ll be nice to get my hands on that handle."

Not all of us are. *dumps mac & cheese on a double cheeseburger*

I think the best critique of the show (from The Watch podcast) is that it's the anti-LOST. The LOST team always said their show was about the characters first, with the mysteries and theories being something cool to think about in the background. Essentially they wanted you to watch it mainly for the characters.

Wow can't believe Maeve almost fucked up that Mannequin challenge.

cc: HBO Ceo of Tits

I'm a bit stunned that Teti even asked that question. And then he made it seem like what GoT is doing is somehow new or unique. The Wire structured its seasons in almost the exact same way. A huge cast of characters with different plot lines that build slowly throughout the season before shit goes down in the

Howard and Kim walking through the office was like the most opposite Aaron Sorkin scene ever.

Agreed to the point about it being lumped in with other shows. I've heard some people talk about the bunch of current shows about affluent 30 something white people in the LA area - Togetherness, You're the Worst, Transparent, Casual, and Love. It's easy to group them all together because of the characters and

Mike didn't choose the na, the nachos him.

I'm with you. All the stuff Tina yelled at him for was very explainable.

Showtime execs approve of this move.

Also - "Just give me that money, turkey dick!"

So what would we rather drink, Vern's trash juice or Riot Juice from It's always Sunny (grain alcohol + kool aid)?

I also saw "Don't stop believing" by Journey on the wheel. My initial reaction was that it was a reference to The Soprano's series finale. Then I realized it was a pretty obvious thematic fit with situation at hand.

After reading Lindelof's interview with Sepinwall my question was answered in that they had the karaoke idea first:

"I killed you."

Party Down kicked ass. Now go back to crying about your queer job you shitbird.

Fuck fantasy. I'm into hard sci-fi.

Oh, and 'The Walking Dead' of course. The comic-con trailer for that looked incredible.