"Cohen Brothers"

No, Persia, Mike saw that one Cinemascore rating and that's all the evidence required for his statement to be true. Just look at the Cinemascore, it is literally the only acceptable rating matrix. This movie was hated, hated, hated! Stop fighting it! Hated! Cinemascore!

Yes, the action kicks up in intensity and pacing during the second act break. This is what many movies do.

We're not supposed to be impressed, we're supposed to be as frightened of him as Mulligan is after he kills the man in front of her.

He gets pretty emotional when he finds out stupid Shannon has stupidly told the mobsters about Driver and the wife. That scene hits hard because it's the first time you see him really get upset about something.

"a better film would have held my attention better and made me wanna finish it."

That Jonah Hill was great in that role? Because he was? Brooks was snubbed but Hill didn't rob anyone.

That's what it looks like when someone gets their head smashed, or their face stabbed, or their head blown off. It's a movie about people with capacity for incredible violence. It's not nauseating, it's truthful to its subject matter.

And he also gave two other sources that gave it better scores. Man, D'Angelo, you are so thin-skinned on these message boards.

It's 146 minutes. Not close to 3 hours.

The Terminal was good. And a handful of those titles are masterful. Including War Horse (I'm not sure why this site hates that movie so much).

I get the feeling that most of the people who hated Drive have never even heard of Le Samouraï. Both are great movies.

Yep, "nothing happened" in Drive.

Con Air doesn't take itself nearly as seriously as Boondock Saints, though. That's a major problem for Duffy's film.

A few things:

He would've still been gung-ho about it. He was clearly enthused about playing in the study room.

The horrors of WWII and Nazism hang over the entire film, really.

He didn't have a future.

Good casting.

Lot of long sentences in this. A tribute to DFW?