John Landis declined to comment on this statement.
John Landis declined to comment on this statement.
Rob Cohen needs to see Hard Rain and realize that even with Morgan Freeman, a heist/disaster film idea is pretty fucking lame.
Agreed - this doesn't look like they're giving away the entire story arc like the BvS trailer does.
No, the fact it came in #4 at the box office on opening weekend, shows the leftist conspiracy to ensure that Ride Along 2 took #1 keeps the PC police in power. It was a desperate ploy, but it payed off. Leftist meltdown averted.
There are fathers who are in the midst of a midlife crisis that need material to plop their children in front of. This review is important!
I really want to read The Sherrif of Babylon. The idea intrigues me and the endorsements and praise it's been getting are making me consider to not wait until the TPB comes out.
It's okay, much more pick up and play potential and not as long and drawn out as Battlefield can be.
I'm afraid to upvote this comment for fear of what it'll say about me.
You sir, have earneth mad props from me.
The Bride! With the chick from Flashdance! What a casting coup!
They're both filmed in Torana (Toronto, or Le Six to french Drake), so the interchangeability is completely understandable.
I want to refute in some kind of way, but I can't.
I was feeling kind of the same way - it seemed a bit rote, going back to the beats of previous Bond incarnations, but not going way over the top with gadgets that are designed for a single crisis situation written into the script. I kept thinking to myself that this was an attempt to correct what Quantum of Solace…
Fuck it - early review or not, still seeing it in IMAX this weekend.
Solid explanation on how a good action director (Greengrass) can make quick edits into an exciting, fast action scene and how someone who doesn't understand action sequences (Forester) is more of an obstacle to coherency. I'm still a bigger advocate for a director that can choreograph a long shot, long take with…
Got zero love for The Strangers. Yes, I agree that the use of space and silence is evidence of some great directoral talent, but the teleporting intruders who seem to be everywhere at any moment for a scare - kind of felt like cheating.
Well yeah, that's part of the reason why studios are mining anything that is nostalgic to the demographic that has a sizable amount of disposable income. There's a built in audience automatically that comes with it, screw whether it actually has anything to do with the actual product that they're basing the movie on.…
Interesting. I'll give it another watch with your criteria in mind.
MTV's the Real World demands another blood sacrifice!!!! Let the Kumite of drunken, damaged, self centered, 20 somethings begin!
Why do I get the feeling that the parents that demanded the ban think that Nickleback is the pinnacle definition of music?