I would say 48 Hrs. did actually break new ground. The only movie from the 70's that it resembles is Freebie And The Bean…in the context of the ethnic tension between Arkin and Caan…except it was played for low brow laughs. Arkin doesn't really get to play any scenes where he stands up to the racism around him. (not…

I love how you never really learn anything about her.

I'd be happy with just a double feature of Rolling Thunder and Taxi Driver.

The score to Night Moves wasn't even close to fucking awesome.

Night Moves was great, except the score was an atrocity. The absolute worst of 70's soft jazz.

The Expendables: Havana Nights

Without a doubt
This is the worst article I have ever read in the A.V. Club.

The Funhouse was not good…but I suppose it was competently made…which I suppose is a feat when you consider the rest of Hooper's output.

Lifeforce was awful, but it was prime fapping material when I was 13.

The essential Carpenter.

Bad comparison. You see, Keith David is a great actor. Tony Todd isn't.

Scanners, Motel Hell, Prophecy, and Phantasm all sucked horribly.

On one hand, Poltergeist is most certainly a Spielberg film. You can tell just comparing a lot of the shots to other Spielberg films.

I'll give you the inverse. Here's the plot to one that sucked, but could have been good based on plot description.

Why don't we just wait here for a little while… see what happens…

Don't fuck with Mr. Majestyk, or this will happen to you.

It's the Star Whackers!
They are causing this!

City Primeval was just as good too.

Unknown Man is my favorite.

Touch was very, very funny.