avclub-5e5e0bd5ad7c2ca72b0c5ff8b6debbba--disqus
Franko
avclub-5e5e0bd5ad7c2ca72b0c5ff8b6debbba--disqus

Yes it was — good memory.

I'd love to have seen a reversal, like Nellie Oleson getting her own sitcom.

It's a total summer burnoff.

Okay, here we go:

This season's novels: The Catcher in the Rye, Lolita, Justine, Slaughterhouse-Five, The Satanic Verses, Tropic of Cancer and Are You There God? It's Me, Margaret.

A B-range grade?!?!!

I look quite lovely in a vinyl smock.

I mean, there is precedence — Laverne & Shirley airing after Happy Days — but I think this is exceedingly lame/desperate.

I'll stick up for the last few episodes. The concept is unique, kind of looking at the emotional consequences of time travel and what could have been, and Keri acts her heart out, particularly in that last scene in bed.

I got a big kick out of watching Garner's guest appearances. Talk about two roads diverged …

I've always liked that song and would like to use it if I ever get married.

ABC Wednesday: We've got some wacky white people for you.

Well, good luck to the black-ish cast.

Both women, incidentally, were the inspiration for Tracey Ullman's character Janie Pillsworth.

I am indeed saving them, and need to get on the stick to complete that (plus NE commentary). Lousy job …

This sounds like a sitcom, to be honest. Inexperienced but savvy television fan buys venerable network for a song.

I hope this trial is as much fun as Harvey Pitnik's funeral.

"That was your whole plan — get her!?"
*subpoenaed by estate of Harold Ramis and Dan Aykroyd*

"Deep down, they knew it was right, but they also knew that someday they would return to it, perhaps under different names and separately, but initially with James Burrows and almost certainly from a soundstage at CBS Television City."

What also might make a difference: residuals.