Mostly, yes. Max doesn't understand why he shouldn't be unselfish. He's viewed each selfish act he's been chastised for in the past as an individual moment. He doesn't contextualize things the way we might, so he is destined to repeat mistakes, particularly the ones he doesn't view as mistakes.

Mostly, yes. Max doesn't understand why he shouldn't be unselfish. He's viewed each selfish act he's been chastised for in the past as an individual moment. He doesn't contextualize things the way we might, so he is destined to repeat mistakes, particularly the ones he doesn't view as mistakes.

Faking emotion to hit that is the most accurate portrayal in this scarily accurate show's run.

Faking emotion to hit that is the most accurate portrayal in this scarily accurate show's run.

Plenty of my friends think the Little Britain subplot was the best the show had. I don't. But I don't like those colonializing bastards.

Plenty of my friends think the Little Britain subplot was the best the show had. I don't. But I don't like those colonializing bastards.

Erika Christensen in that photo … dear lord.

Erika Christensen in that photo … dear lord.

Inaccurate, too. Andre is in the first scene.

Inaccurate, too. Andre is in the first scene.

Ariel Winter is getting too … umm … she's 14 and I'm uncomfortable.

Ariel Winter is getting too … umm … she's 14 and I'm uncomfortable.

That kid was in a wheel chair. This kid was in the middle of an aisle.

That kid was in a wheel chair. This kid was in the middle of an aisle.

Must. Be. Haddie.

Must. Be. Haddie.

It was choppy and pulled the characters apart. There were a few good moments, but the episode never felt cohesive. I would give it a B-.

It was choppy and pulled the characters apart. There were a few good moments, but the episode never felt cohesive. I would give it a B-.

Myles McNutt, your modifiers are dangling all over the place.

Myles McNutt, your modifiers are dangling all over the place.