avclub-46936add066bd6422b3ac74a0ccb7174--disqus
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avclub-46936add066bd6422b3ac74a0ccb7174--disqus

Hear, hear.  I remember that segment being absolutely suffocating.

Does anybody else hear Can in "Spiders (Kidsmoke)"?

I'm waiting for the record store to have a used copy for less than $11.99.

As far as baseball movies go, I'd rank MONEYBALL just below THE NAKED GUN.

I thought it was pretty terrific, and much funnier than I'd expected the non-Soderbergh version to be.

Most contemporary Christian art of any stripe has been just awful in the last couple century or so, though there are some shining examples here and there.  But mainstream Christianity has zero interest in art with a capital "A" — maybe for good reason, and maybe for cultural laziness.  Secular business preys on this,

None of the women writers contributed, or did I miss something?

I was working in a record store and one of my bosses was the bassist in a local band that played Holiday Inn gigs and such.  They wanted to cover "Can't Get There From Here," knew R.E.M. was a favorite of mine, and he paid me $5 to figure out what the heck the words were.

That's good to know, idiotking, because my favorite is THE LADY IN RED soundtrack.

"I
I understood writing could be dangerous. I didn't realize the danger came from the machinery."

Hear, hear.

I can say now: Don't bother with GreenCine.  Sounds great on paper, but it's awful in practice.  At least with Netflix (as it used to be), if you left titles with some scarcity at the top of your queue, you'd eventually get them; GreenCine not only doesn't send those titles out, but they simply won't send ANYTHING

I think David Baerwald from David and David helped out on that quite a bit.

THE SEER is a really underrated album.

Yes yes yes The Move. Though I guess they did fairly well at home.

Oh — The Clash, by the way.  Why they weren't huge, I'll never know.

3 EP's, HEROES TO ZEROES, and HOT SHOTS 2 are all fantastic.  And I must disagree with Pixie — the more than hold up.

I think Steve Lillywhite's production wrecked that album, much like he did with Big Country's second and U2's second.  He went toward sludge.

Supergrass should've been giant.

The first thing I ever saw him in was THE SLAUGHTER RULE, and he and Brian Morse were amazing in it.  My friend mentioned that Gosling was from the Mickey Mouse Club and I was pretty stunned.