Congrats Adam, his family, and the band.

I actually think PB is the second best. HELLO NASTY is my favorite.

Yeah, GOING THE DISTANCE was pretty decent after Barrymore stopped being a meanie.

How about a magic trick?

Ha ha ha ha ha. Hee hee. Ha ha. Ho ho. Hee.

3:50 PM; still got nothin'.

Oh —I'm clicking http://feeds.theonion.com/a…. Can't get to iTunes from here.

The podcast doesn't show up 12:57 Pacific Time
…most recent thing I see is Fighter/Tron.

*hands the Senator a sack of oranges*

I know it's Apple's fault and not yours…
…but could you embed a version we can watch on the iPhone?

@ prole hole

For two guys fighting over a girl, it's just amazingly devoid of testicularity. From the blandly unthreatening studio musicianship (Gramma would be fine with this) to the awkwardly correct grammar ("I love you more than he") to the aw-shucks-I'm-a-neutered-male-in-the-1980's use of "doggone" to the flat refusal to…

I think some people find one song on an album that's not "like" the others and get jarred by it. But sometimes it's just the artist's having a lark or an interlude or even stretching their wings. Some of these things are nifty enough on their own ("I'm in Touch with Your World," "New Orleans Instrumental #1," et al)…

That's odd. I'd had the feeling this was probably put together via email, so there probably wasn't much discussion. I know this stuff is all subjective, but how some of these selections got through any sort of editorial cultural vetting I don't understand.

I agree that "Radio Song" takes too many hits, but to be fair, it's nowhere near the level of quality of almost every song you just named.

"If you become naked… masturbating with a magazine…"

That album cried out to be an EP.

"Oddfellows" is on DOCUMENT.

In a blind taste test, I would've known almost immediately.

"Turd in the caviar"
…so someone said this was a reference to a 24th song. Google search is all about this inventory, even if I used expanded search.