Shark to AV Club: This show jumped me a LONG time ago, man.

I liked the Robert Mitchum version better.

Couldn't a writer just once credit a writer for getting a movie made from what she's written exactly the way she wrote it? There was a 50/50 chance a more experienced director would have turned it into a D-minus movie rather than a B-minus one. And for the writer, there'd be no second chance.

His movies became progressively worse when Mel cast himself in the leads. Director, producer, writer, supporting actor … few better. Leading man, not so much.

Atlas, REALLY tired now, bent over.

I like the part where Jobs steals the idea for Apple from the Winklevoss twins.

Diane Keaton and Jack Nicholson come knockin' on Keanu's door in "Something's Gotta Give 2," coming soon to a theater near you. The threesome is awesome.

Let's all hope they shoot the end of Jason Mann's one-film career on digital.

The "hilariousness" of "Jack & Jill" — or, as writers elsewhere might write, the hilarity.

Do all the act-ahs talk wit fake Bah-ston accents like in "The Depotted?"

"February" sounds awesome.

Proposals for every old dame, this week on Downton Dear Abbey!

Riblet joins Drunk Uncle in 2025 for the SNL 50th Anniversary's 5 Unfunniest Characters of All Time special.

Next week, Battle Creek is visited by federal agent Special K.

His name was Bakersfeld, not Bakersfield, but at least the movie's better than the town.

Sensational film, start to finish.

"Columbo," best detective series ever, including the episode directed by Spielberg. "Criminal Intent," best of the three L & O series, best cast. "Elementary," jumped the shark in Season 3, when somebody working there concluded Watson had to be as good a detective as Holmes.

Orgy scene in "Eyes Wide Shut," maybe?

Awesome movie, and Martin's hilarious in it.

"Life is a state of mind," which is the story's last line, is meant for everyone who is trying to find logic in certain scenes or dialogue … it's not real, it's storytelling.