Oh, god, yes, that sound he makes while cabbage patching. Greatest sound ever uttered by man.

You recognize that there's no dynamic way for this information to be conveyed on stage and either skirt it or use work arounds, like reading the texts aloud. Or, you copy the approach, and project the texts on a scrim that you drop a quarter of the way down.

More than likely, yes.

Remember when people were convinced that Serj Tankian was a genius and was poised to crossover? Heady, stupid times.

…any other?

Not…not helping, Steve.

I enjoy a large time.

The KISS Army sees no need to conform to your baseborn ideas of "coherence" or "logical arguments" VanDerTurf.

Keep Deja Thoris, bring back Ice Cube as "Desolation" Jones, throw in some Tharks. Baby, you got a stew goin'

"Edge of LOOK SALLIE MAE, WHEN EVER YOU GET MY CHECK, OKAY? STOP FUCKING CALLING." — Edge of Tomorrow, the Post Grad Years

Tom Cruise in "Another Day, Another Die?"

Side note: I'd watch the hell out of John Carpenter's Tyler Perry's "Madea Goes to Jail." Waaaaaaaaay more disembowelments, probably more Kurt Russell.

"Unleashed" is always my favorite. What it sounds like: DTV Ving Rhames thriller about a boxer wrongfully accused of killing his wife and fighting the mob, for some reason.

Lee Daniels presents John Carpenter's Tyler Perry's "Live. Die. Repeat." Based on the novel "Edge of Tomorrow" by All You Need is Kill AKA Sapphire.

Same here. I've got a deep, abiding love for the first one, hate the second. Kinda dig the third.

You mean the ever-unremarkable Julia Stiles? The melba toast of international intrigue?

Hmm. I don't recall him making jokes after Marlohe died. (But, by that same token, I keep calling her "Marlohe" is because I can't remember her character's name) But I didn't think it wrecked M's character; she got targeted, hunted, and fought back. Dude M seemed like a pencil-pusher. As for Moneypenny…yeah, I agree.…

Because of Berenice Marlohe's character? (It's been a while since I've seen Skyfall)

Yeah, but Vesper and Marie aren't analogues. Vesper betrayed Bond; narratively they can't stick together. Marie, however, could have. She could have been a competent partner and done some of the more human, non-murderous things Bourne still struggled with. Narratively, he remains a haunted shell through the last two…

And maybe that's the biggest gutpunch for me: There was just no fucking reason for it. None whatsoever. And yeah, I get it, that's kinda the point, but still. It was senseless and it sucked. Marie may not have been a fighter, but Bourne is more engaging when he has someone to bounce off of. Also, no reason he couldn't…