"Gollum looks like a sneaky piece of shit by proper anglo standards, so I'm just gonna treat him like garbage for the majority of this here novel and most of the two movies in the trilogy, and it'll all work out. What's the worst thing that can come from abusing a misanthropic cave dweller? It's not like he's BFF…

"Gilly, have you seen that symbolic letter of complaint I spent all night writing about my boss, Jon Snow? My therapist says I need to tear it in half to symbolize letting go of my stress!"

Might have meant to write 'fiance.' I've noticed that as my words-per-minute have increased, so has my propensity for using the wrong word, or using a sentence fragment in place of a complete thought. It annoys me, and serves as a constant reminder to slow down and re-read what I'm writnga.

I remember seeing Peter's smug smile last week after he watched Arya spar with Brienne, and I found myself thinking: "Wouldn't it be interesting if Baelish was a trained water dancer too?" It'd be just like him to secretly be a master swordsman capable of killing anyone in the cast. So now I'm working under the…

You dirty. You need to get right with the old Gods.

White people, they get foibles. Black people be like "What's a foible? Does that come with cheese dip?"

So, uh. What's Diana's origin right now? I haven't followed WW since Azzarello and Chiang left. Is she still a demigoddess with an interesting but dysfunctional family of monsters, or did Rucka fuck that up?

I think the real strength of it comes from the fact that these stories have their own endings leaving him free of the burden of having to put a cap on these events.

He will. Cuz he's a fucker who knows no loyalty to anyone, not even the skinhead fucks who helped get him elected. But he won't do it until there's absolutely no other choice, because he's also a grifting shit heel who's always looking for an angle.

That burly bassist was was so fucking cool. Don't know who he is, don't know his name, I'm just happy he exists.

That opening blurb was mean. Edge of Tomorrow was really good.

But her shows viewerships are dropping like, uh, uh, shit. Uh like Flies in an exploding outhouse. Yeah, like that. I mean she's got followers that will watch anything she produces, but ratings are down because she doesn't know how to end a season.

If one of those reasons was Dear White People, then I am just going to roll my eyes and deal with it, man.

Wait, what?

Well if people were actually watching what Luhrmann and the Wachowskis were putting out, that'd be one thing!

Murphy regained (some) credibility with American Crime Story, so he's got that going for him.

That's the main problem with all the netflix shows. They're so focused on the main arch of their particular seasons to the exclusion of everything else, that it becomes exhausting to follow. A little variety in their format would go a long way. Like introducing one-off villains.

Yeah. They couldn't even make Rapehorse look interesting, and dude: It's a horse that rapes people. New Berserk looks like Season 1 of South Park.

The Morlocks all had super powers. Not quite the same thing. More to the point, they would self-mutilate in order to appear "More ugly."

I wouldn't be able to handle six women arrayed against me. I'd have to retreat to a safe-space, and rant on Reddit about how they're all against me. God, they're making friends and having a cute moment of empowerment at turning the tables on me? Fuck! NOOOOO!