Look at this ocean of white girls. Rumor has it if you throw a box of raisin bran into that mass, if you pulled it out, it would be a box of corn flakes.

Her husband had a problem, and Nicole was starting to get concerned. After work, he'd park in the driveway for hours and stay in the car doing…something. Finally overwhelmed with concern and curiosity, she sneaked out of the house and observed him…mid-coitus…with the front seat!

Flavor-fully salted with the tears that can only pour from the eyes of someone who realizes that it's 3:00 AM and he can't sleep for another eleven hours or he'll mess up his run and be fined half his presumptive cheque, and he's slowly losing his mind! Tee-hee!

In the traditional reckoning of the Four Horsemen of the Apocalypse, this horseman is Pestilence. However, apparently Pestilence retired in 1936, “muttering about penicillin” (263), and Pollution took over.

Yeah, you're sandwiched. You're the unfortunate recipient of a cross-generational Eiffel towering. You've been human centipissed on!

Shut. Your. Mouth.

That was actually an issue of Ultimate X-men. But it did come out around the same time. Just Logan and the kid hanging out in a cave. Pretty dark stuff.

I still enjoyed it!

So many pouches. Nailed it.

One of the better X-men runs I read was Grant Morrison's. He introduced the idea that mutants with actual super-powers were pretty rare and the majority of people with the X-gene either had no abilities at all, or they were functionally useless. Guys like Eyeball boy, and Beak. I loved it, and I wish they'd stuck…

Part of the big reason I hate the current iteration of the Inhumans that Marvel has been pushing down everyone's throats isn't so much because it's a huge ripoff of the X-men, it's that the X-men have become so fucking lame that they're hard to enjoy in any format outside of amazing productions like Deadpool and Logan.

No, see, kids want stupid derivative storytelling filled with lame puns and cheaply produced Korean digital animation. EMH had too much story cohesiveness, a passionate following, and tight looking animation. Had to go.

I didn't really like that Wonder Woman reference either. It's a good movie, but it's also the only good movie DC has had it's logo stamped on outside of the Dark Knight Trilogy, in twenty-five years. That's not something to brag about.

Iron Fist should have been soooo cool. It should have been outrageous and silly, tongue in cheek, and totally radical dude! in an ironic sort of winking way. Biggest Marvel misstep since Blade Trinity. Which was New line cinema's fault. But still sounds good in a quick blurb.

I'm usually not aboard with calls to fire a show runner because it seems like such a whiney "entitled fan" thing to do, but yeah, Scott Buck doesn't understand his product at all and it's reflected in his work. When I saw the Inhumans trailer and it featured Blackbolt struggling with police officers and then…

The scenes aren't chronologically sequential. The show leaves it to the audience to figure out what order of events something is happening in. (Which is actually really annoying if you're obsessive about that sort of thing, but I digress.)

*Begins singing Deep Purple's Child in time.

He's a good looking kid. I really thought he was effective in his role: Otherworldly and creepy. He's also a second voice warning about the white walkers. Emotionless Bran is best Bran.

Holy shit. He's just one of those performers whose name I've gotten used to seeing everywhere. Feels unreal to have him gone.

This show is so guilt-free flawless. I hated Girls, but I love Insecure. It's basically the same kinds of characters, but somehow they just seem so much more human and relatable over here. Maybe it's the way the setting makes room for all kinds of people and viewpoints while sticking to its central cast? I dunno. …