I respectfully disagree with both of you. I'm not sure how I can be WRONG in my subjective opinion, though; its not exactly Christopher Walken I'm hating on here.

Holy shit, that was Jeremy Renner as Dahmer? The man pops up in the strangest places; I was recently shocked to see him as a child molester in The Heart Is Deceitful Above All Things. Weird to see him play so many creepazoids early in his career, what with his mine defusing, Avenger-y beefy Bourne goodness now.

You named your testicles Bill and Ted?

I think I saw that one actually, albeit sans Bright commentary. It's kinda disappearing in a blur of Dahmer, Bundy and Gacy movies, all of which came out around the same time, straight to DVD.

The concepts behind After Hours are often great, but my God: that awful Michael Swaim character must have the most punchable face and nails-on-a-chalkboard mannerisms I have seen this side of Seth MacFarlance.

This movie also features some amazing, curiously disturbing opening credits:

SPOILER: Bruce Willis doesn't die hard. (Although Alan Rickman IS sportin' some chubb when he tumbles off the roof.)

"[and for winners]"

This phenomenon is known as the Perpetuum Rabin Cycle.

"Hug Hayek can"…don't mind if I do.

@avclub-00289c0e205aa1ce4d0509f9291b3025:disqus That's brilliant! We could call it "Texty & Blinky"!

Was it lasagna-induced?

"Dry" equals "good" when it comes to his comedy and pussy.

"Dry" equals "good" when it comes to his comedy and pussy.

We also see Liz's true, horrible visage in that HD camera in "Dealbreakers". I consider that canon, rendering all discussions of "Tina Fey is too attractive to be considered as hideous as Liz Lemon" moot.

I don't even OWN a big TV guy.

You sure?

Or the Curb Your Enthusiasm theme.

Hm. I THINK I watched it all the way to beyond the end credits popping up: you're talking about

I wasn't being serious - you seem somewhat unhinged, really - but man, that Egyptian Shumba song really cooks, no joke there.