Come on, those two hot chicks are all over you, man!

That part fucking sucked. Why does King have to add a supernatural thing to every single thing, even when it clearly doesn't fit (also: the completely useless possession tangent in Cujo)?

Hey, she told me she likes to deepthroat!

It's not a "fantasy power", it's a character trait.

The Betrayal at the House on the Hill link takes you to the City of Horror page.

Getting the results is snow picnic, you'll just have to stay frosty.

Holy. Crap.

So how's your puppy? Is he all right after that feminist ran over him?

I think AitD's beginning was freaky as shit. In the very first room you have to hurriedly push a bookcase to block a window and a chest over a hatch on the floor. If you don't do the first thing, a dog will jump through the window (and kill you), if you fail at the second, a zombie will walk up from the floor (and…

Eh, I like that version of the story.

What about the dance?

I think the thing that most exemplifies Kubrick vs. King in their outlook is the phone call Kubrick made to King in the middle of the night when they were shooting the film. It went something like this:

You know, there is a vast difference between a cover (same medium) and an adaptation (different media).

The most upsetting thing in Gremlins is, to me, the scene where the bad gremlins are dropping drops of water on Gizmo and forcing new gremlins to pop out of his back. Or is that in the sequel? Anyway, disturbing.

For me it was the nail through the sole of the foot.

See, see! Reefer Madness and Nancy Reagan were right!

Man, I hope this Jesse Hassenger idiot gets fired for that one.

[citation needed]

I'm pretty sure she squeaks throughout the movie because it was part of the story (as many characters in it note).

Zombies Ate My Neighbors was kinda impossible as well (although nothing close to NES-level sadism). Either you lost all the neighbors or started the game with a level code and got your ass kicked because you just had the watergun.