Nah. As confused and pill-poppy as Marv is, he is definitely a good guy. He never kills a single person that doesn't, in the eyes of the film, deserve it.

It does have morals, but they're laughable. The bad guys in the movie are all literally cannibals, pedophiles or just satanically evil so that the morally compromised actions of the heroes, who hold on to a few shreds of integrity like not hitting women or having sex with children, can be viewed as justified.

"He's one note."

Sin City is a perfect example of a movie which benefits from not being taken seriously.

That's not emotion, just motion. *rimshot*

Don't forget the people who are too lazy to start a blog but definitely not too lazy to have a disqus account!

Dude, that WQuintana chick called your name. You should go talk to her, bro.

1. I just don't feel that Sansa was ever really threatened. If say, a few of Stannis' men had managed to sneak in and she would have been like "I'm gonna arrow you, bitch, and blame it on those guys" it would have made more sense and been more exciting. Now it just fell flat.

1) I think you meant to say, "Because the ending has to converge with the source material."

Daario says: "The people believe in you. They know you speak for the queen." I can't remember that ever happening. Grey Worm isn't exactly known for his great elocution anyhoo.

Olly, I dreamed I was stabbed!

The good:

He had to get rid of his nose, though.

American Graffiti is living proof that you don't have to have any experience of whatever is being nostalgicized (yeah, that's not a word) to feel nostalgia for it. I watched the movie less than a year ago, have never lived in the States, couldn't give a fuck about cars or small town America or the particular time it's…

I suspect the speed dealer was Chris R.

CAN YOU FEEL IT CAN YOU FEEL IT SUGAR HIGH!

Your face: "A butt."

But wasn't it Lucas who suggested the whole scenario?

I already talked about this somewhere else, but there's no mention of the record store kids fantasizing about Axl Rose running the lame-ass mainstream musician over with his car. Doesn't that seem a little incongruous with the movie's supposed indie/alternative bona fides? Wasn't Guns n Roses was at least somewhat…

That might have been Theon when he escapes. The point stands: the show alludes to male rape being a thing but certainly doesn't have the balls to actually show it or it's consequences. But women getting raped is okeley dokeley.