Hey, can I have some of that coffee, Japanese Mark Mothersbaugh?

Yes, start with Radio City. I think it's the best gateway album (to the other two).

(I've never attempted to whois any of them…)

Years ago I heard that, before launching their newly-merged corporation and before revealing its new name to anyone, Bell Atlantic and GTE registered and bought every single disparaging and profane domain name they could think of. Verizonsucksballs.com, eatshitverizon.com; the whole bit. It was said there were nearly…

Don't call me guy, buddy!

Or Romero ran out of new iterations, and simply combined the mall from Dawn and the gated community from Day into one location.

I was gonna post this:

This is why I'm such a Greg Berlanti fan. Arrow started as standard issue grim and gritty, but it turned out to be a gateway drug that enabled the CW to take a chance on The Flash.

You're channelling the MST3K Amazing Colossal Episode Guide … the entry for Stranded In Space …right?

"I'm doing laundry!!!"

They say in the Amazing Colossal Episode Guide that the TV they used to watch the movies on VHS in the writers' room wasn't very big. For the time, that might mean something like a 13" CRT.

So my list of "Filmed science fiction that got (lack of) sound in space correct" should now be:

I was worried that he might bail on playing TV's Son of TV's Frank after the tragedy happened. Taking new gigs makes me feel better about that.

…Baby oil?

I was saying "Boo-urns."

Yeah, he'll never get to Popeye now.

"That's bullshit, man. We're starring in a Jerry Bruckheimer vehicle."

Just don't bring them to Maria Bamford's house.

Since there are only three U.S. cities that ever seem to be portrayed (granted, moreso in movies than TV shows) perhaps someone from San Francisco would care to chime in, and thus complete this conversation.

It takes about twenty screens down in the NYT article's comments section (sorted by oldest), before the "Radiohead is the best" guy shows up.