avclub-2cfc7c2a1eabaff9fdcc09b009e8edad--disqus
Dijonase
avclub-2cfc7c2a1eabaff9fdcc09b009e8edad--disqus

What does that mean!?!?

And Pea Pod, the pocket squirrel.

@avclub-7399a8aa203c68565ff7196769deadc6:disqus Nah, that's over and done. Don't get me wrong. I loved Bale as Batman and love all three of those movies. But they had a very specific ending and it would be a shame to ruin that.

It's very similar to Nolan's Batman series in that it felt like an ending. Or it could serve as one if they don't continue.

I also thought it was odd that the arc reactor seemed to have nothing to do with powering the suit, but I guess if it were we wouldn't have had the whole middle chunk where he has to use his wits and MacGuyver up some nifty gadgets.

I definitely don't think it sucks, but I saw it in the theater and loved it. Then I saw it again on Netflix and thought it was incredibly forgettable.

I definitely don't think it sucks, but I saw it in the theater and loved it. Then I saw it again on Netflix and thought it was incredibly forgettable.

If this comment were up at the top you'd have all the likes by now.

Ditto on Claude's opinion of Cell. I think it's a great book. Very creepy with a solid ending.

That's a decent breakdown, except that Just After Sunset contained N., the Lovecraftian story that might just be the scariest thing that King has ever written.

You can think the root beer of yesteryear was better and that the air was cleaner without thinking we need to go back to "the way things used to be."

@Crooked_Paul:disqus Joshua Jackson is and always will be Charlie, star player for the Mighty Ducks.

Aren't superhero comic book covers usually misleading? I get your point, but there are so many times where I've noticed that a comic book cover either has very little to do with the story inside or takes a small moment and blows it up into a big dramatic event because it involves a popular character, like Batman.

Hell yes it is.

The Rock is a legitimately great action movie. Bay has nothing to apologize for there.

@avclub-f477bbfe084fb144319cecd06bfc77c8:disqus @avclub-a3116fcb0ff78581d441a3de68287e73:disqus @avclub-619606d751c1c6276dfc179c7981bce5:disqus @avclub-0597cbcd1a3ba547c1ef58a6358b5b66:disqus Maybe that's my problem with them. I actually think they are very bad in a random indie band kind of way. Their playing is

@avclub-2a6ac9e5324952e36b40237cf2fcdad8:disqus That was oddly beautiful.

I load all my podcasts onto my iPod on Sunday night/Monday morning and listen over the course of the week. First priority goes to Never Not Funny (still the best podcast out there), then I move to Comedy Bang Bang, Doug Loves Movies, Jordan Jesse Go, and Rock Solid.

This isn't relevant to this week's podmass coverage, but I'm curious what people think. What is the appeal of Don't Stop or We'll Die? I just listened to the episode of Comedy Bang Bang from several weeks ago where they were guests and I just don't get it. They're all funny comedians, but then they launch into really

But the networks feed cable by giving them shows like NCIS and Big Bang Theory that allow them to make the quality stuff like Breaking Bad and Mad Men. If the networks go away it hurts cable. That was a huge point of the article.