I warned you…

I swear, a million rewatches, and that damn thing always works. Perfect in context, execution, and just DAMN. It lingers not a second too long, and always looks frighteningly, amazingly real.

Ha! Oh, that is indeed the worst of the lot, hard to believe. Just yikes.

I really liked King Kong, but you are absolutely right. I remember watching it in the theater, and it was like the 14th chase they were in, sprinting around, barely dodging dinosaurs and those big worm things…it was beyond silly.

These are great! How about "Clash of the Titans"? It has a certain stop-motion charm, sure…but even as a kid I knew the effects sucked. Still a great watch, though.

She did. I even begged. But she was too busy being an insufferable twat.

HOW DID I JUST NOW SEE THIS. LIFE IS NOW COMPLETE.

Ha, ha! That's perfect. And the expression Daffy uses in "Duck, Amuck" where he holds up the sign that says: "Sound, please" after he strums the guitar. Goddamned, that's some funny stuff.

Ah, thanks! Well, that makes it worse, then. Fuck her and the doughnuts!

Oh just stop it, Ariana. You were the worst thing on Nickelodeon for years. Your music and your persona are utterly disposable. Your image is tainting our collective unconscious, to paraphrase a wise man. You are teeny bopper fodder. It's not about the fucking doughnuts. The doughnuts are a SYMPTOM, man, a symptom of…

It all makes so much sense now. And then Estevez went on to make his magnum opus, "Bobby."

Ha! Such a daring camera swoop!

Loved that so much. And I'm tired of hearing all the bullshit about how, if they actually fought, how Mayweather would defeat her—as if that is even the fucking point. It would never happen anyway. The point is that Mayweather is human garbage, and Rousey called him on his shit—and he can do nothing about it because…

Finally! The comedy tandem of Sheen/Estevez is second to none!

Lifetime pass for his four classic 70s films. He represented all that was great about the auteur system of that time. Sure, he's tarnished his legacy a bit, but who hasn't? Without the Godfathers, half of the filmmakers mentioned here have different careers.

Absolutely. Jones represents all that's great about animation as an art and entertainment form. Timeless classics, nearly all of them he worked on.

"Wisdom" is a forgotten 80s classic! OK, sorry, I can't do it.

What an eccentric performance.

Damn, I love what he did with that movie—incorporating Carpenter's style. Great choice.

That's a fantastic score. Once Upon A Time in America just slays me, too. The elegaic nature of the film matches the score, the moodiness, the wispy remembrance—I've never heard anything like that music and how well it works with what Leone was trying to do with that film.