that money in the wall thing was based on a real cop in LA.

that money in the wall thing was based on a real cop in LA.

It's kind of like the same thing that happened to Ethan Hawke with Training Day. Gyllenhaal carried Zodiac by being the believable base, everyday-dude character, allowing Ruffalo and Downey to overact and be seen as awesome, and so Edwards could suck up energy like a sponge, and not be seen as dead weight. Training…

It's kind of like the same thing that happened to Ethan Hawke with Training Day. Gyllenhaal carried Zodiac by being the believable base, everyday-dude character, allowing Ruffalo and Downey to overact and be seen as awesome, and so Edwards could suck up energy like a sponge, and not be seen as dead weight. Training…

I tried to watch that video, but there was a Romney advert in front of it, so I didn't.

I tried to watch that video, but there was a Romney advert in front of it, so I didn't.

I'm not one to judge, but the commercials for this looked really bad, even with the airplanes-falling-out-of-the-sky-ness of them (which is probably a JJ Abrams trope at this point, like Speilberg framing things in mirrors).

I'm not one to judge, but the commercials for this looked really bad, even with the airplanes-falling-out-of-the-sky-ness of them (which is probably a JJ Abrams trope at this point, like Speilberg framing things in mirrors).

Chabon got crazy-eye!

Chabon got crazy-eye!

Based on the novella of the same name by Jim Harrison.

Based on the novella of the same name by Jim Harrison.

I always found the opening sequence to be an ironic and bitter commentary on America's 1950s-early 1960s self-image when combined with the rest of the film. To see it as maudlin and homey and not get the bitterness and anger underneath it is misreading the film. This is an angry, bitter film.

I always found the opening sequence to be an ironic and bitter commentary on America's 1950s-early 1960s self-image when combined with the rest of the film. To see it as maudlin and homey and not get the bitterness and anger underneath it is misreading the film. This is an angry, bitter film.

Yeah, Philahelphia is a laugh riot.

Yeah, Philahelphia is a laugh riot.

I lose it when Wilson gets swept away.

so much autotune I can't don't even aggh my fucking ears….

'bout fuckin' time.

Of course the British lady gets the Emile Zola.