"Afterlife with Archie" is still going, I think. This issue of Sabrina is more about witches (not surprising I guess). And is set in 1966, which seems potentially cool, tho' that doesn't play much into this issue.

That's the [Cannes | Twitter] way.

That's a great article!

"You must never use your powers for 'shipping, Jean!"

Maybe they can retcon her to be Stephanie Brown. I have nothing against Oracle and maybe the recent run was a mistake continuity-wise, I was just enjoying it. But nothing is permanent in comics, so say-la-vee.

So if Oracle is back, is post-Convergence Batgirl going all grim and Gail Simone-y again? I know Oracle has passionate fans but I was enjoying the lighter tone.

I actually have more DC than Marvel on my pull list now, for the 1st time, because I added Black Canary, Dr Fate, and Starfire. So I guess I'm optimistic? (I don't particularly care about Batman or Superman in general.)

Southern Cross #1 and 2 - I like the art and the freighter-ship-en-route-to-Titan setting.

Ah! That does make sense, thanks.

That does seem the most likely outcome.

That's what I imagined, so it seemed weird — like, they are still publishing comics during the move, so I couldn't see how swapping around all the writers and artists would help.

No, I get where you're coming from. It's kind of aggressively au currant.

Target sells books, too, but that hasn't led to a revival of literature. They could probably move some Batman comics, but there is no way your average Target patron is going to pick up a copy of Wayward or Bitch Planet.

I'm old, and I hate the Internet, but I like the new Batgirl.

Full disclosure or humblebrag?

Honest question: Do the artists and writers need to be in physical offices?

I'd like to think so too. Not sure what that would be, though.

Breaking Bad final season: 8 million viewers/episode [1]
Star Wars issue #3: 100,000 (Number 2 spot after Princess Leia #1) [2]

I'm having trouble getting past Superboy's facial features.

I liked him on "Comedians in Cars."