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Last of the Mojitos
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For reason why we have forgotten, see above.

Katherine: "Caroline, let me tell you extemporaneously about the news, since the teleprompter seems to be on the fritz…"

And, like, a retainer at night.

Reality TV is an eternal offender regarding countable nouns. (They can't seem to get "highest number" and "smallest amount" right.)

This is super small (in the sense of "petty"), but it might be a good time too to address the roots situation. Now that she's running for office, maybe someone will touch up her hair dye. I've never been clear if this was supposed to be a character trait (?) or if it's merely the actress. Given the millions that go

Good point… We rarely see her with Jabbar. I hadn't thought of that.

If I consider the various subplots one by one, I think all of them have some eye-rolling aspect to them. What saves the whole enterprise for me is the execution—the acting, the little moments, the small surprises.

When Sarah mentioned the candle and Adam said "That's weird" (and then said nothing else), I saw it as the show demonstrating as much restraint as Sarah did with Amber: It would have been easy to have Sarah blow up at Adam for having warned off Ray Romano.

I was sure that Crosby and Jabbar would hide out too long at the studio and then Jasmine would chide Crosby for leaving her alone with the eternally crying baby. Did not happen!

For me, BotW is Amber. Deadpan: "I almost won."

I guess she kept the implants from her "Everwood" episode.

And Party Down…

The next logical question: They have turtles in Colombia, don't they?

That fits, but then we also saw them typing the human blood and discarding the human who was not a match (the Native American sheriff). Maybe at the beginning of her illness it didn't matter but now she has gotten worse? (I'm assuming that if she requires a specific type of human blood—say B+ or the universal O

"Mineralísimo" during dictatorships :)

I'll get the Stevia.

Thank you!

I might register some surprise in an outside-the-narrative kind of way, as in: "Oh, I guess the show had the guts to kill Miles." But I wouldn't weep or anything; I might "mourn" the loss of future (quippy and swordfighty) enjoyment.

I was very impressed. I wasn't sure if that was a case of "Let's capitalize on a talent the actor already has" or what. He seemed really proficient, and that was not a stunt double, but he was also holding on to the saddle horn. (Maybe for insurance purposes? Or a local/rodeo subculture thing?)

It's CHE-sah-reh, right?