Real gypsy-like!

"Revenge of the nyyyerds."

When I was a kid, I read "The Beatles: Recording Sessions," a day-by-day account of every single session the Beatles took part in, from 1962 to 1970. It's amazing. It also referenced a lot of alternate takes of well-known songs, some songs they kept revisiting that never made it out ("What's The New Mary Jane"), etc.…

We're so sorry, but we haven't done a bloody thing all day. . .

I say go bolder, Sir ca157d1a1382fd3eb266129b96bdba74.

Don't even get October 10 started on Roman Polanski.

But should, considering he's one of the biggest rock stars on the planet. There's a thick layer of irony they can't even comprehend, which makes the song that much more annoying.

Followed by, "I know, right?!?!"

I just assumed she meant 13, and wrote 23 erroneously.
Though as @avclub-ca157d1a1382fd3eb266129b96bdba74:disqus pointed out, he hasn't put out 24 solo records. I count 15.

Okay, I better not be the only person to like that comment, since all of you can now see who's actually liking things.

This period of Beatle music is perplexing. Beatles For Sale is pretty road-weary, this song included - it sounds fine enough, but it's nothing too exciting, totally going through the motions. On the other hand, this is also the point they recorded "I Feel Fine," which may be my favorite pre-65 Beatle song.

"Not-quite-right" applies to a lot of stuff John said in 1980. He also said something about "Let It Be" being Paul's attempt to write a "Bridge Over Troubled Water," which would make sense, except they recorded "Let It Be" more than a year before "Bridge Over Troubled Water" came out.

Nah, GojiraShei.

Except, the running title for Help! was "Eight Arms To Hold You." And this song came out six months before Help! did. So yeah, John was wrong.

Yeah. And I'm not sure if Harrison was physically abusive, but he could be a pretty cold sonofabitch.

Actually, I'd say John is the more "natural" composer of the two. Just from a nerdy theory standpoint, McCartney's songs tend to make logical sense, there's not a lot of "where the hell did THAT chord come from????" in his music. Lennon, on the other hand, wrote "Strawberry Fields Forever," "Because," even "Lucy,"…

Actually, I'd say John is the more "natural" composer of the two. Just from a nerdy theory standpoint, McCartney's songs tend to make a certain logical sense, there's not a lot of "where the hell did THAT chord come from????" in his music. Lennon, on the other hand, wrote "Strawberry Fields Forever," "Because," even…

Lennon also misinterpreted "Dear Boy" as an attack on him, when it was actually an attack on Linda's first husband. Either way, there's far more bite on "Ram" than the critics originally saw.

"How. . . can I tell. . . you about. . . AV Club?"

There's a fantastic version of it on Anthology 2, maybe the best Beatle version out there.