Thanks for the various insights… Makes me wonder why I don't currently own a copy of this movie.

Favorite editing goofs in Pee Wee's Big Adventure
1. The chain he pulls out of the bike's back compartment that you can clearly see threading through the bottom of the box.

Favorite editing goofs in Pee Wee's Big Adventure
1. The chain he pulls out of the bike's back compartment that you can clearly see threading through the bottom of the box.

I know I commented about it already but the bad movie lover within me has been somewhat unenthused by the results of this thread and I've decicded to just go ahead and reaffirm my undying love for 'Riki Oh'. Have none of you seen this movie? It's totally fucking insane and ridiculous beyond belief… And like any…

Diving Bell would have made my personal top 10 or 20 of the decade and I was surprised to not see it anywhere on this list. It's a beautiful movie and probably Schnabel's best to date.

Gymkata is great. As are (on similarly ninja-related levels) just about every ninja movie made by Golan-Globus or and/or Cannon Films in the 80's.

A few others that came to mind…
… And hopefully I'm not repeating anyone's previous posts:

I like telling people that 'Mystic River' was the sequel to 'Mystic Pizza'.

For my money there's never been a movie with a higher ratio of per-minute ridiculousness than 'Riki-Oh: The Story Of Ricky'. That movie's pure gold, top to bottom in all the right ways. It never disappoints.

"I feel like I'm sitting on an atomic bomb waiting to go off!"

Shark Attack 3 is the tits. It's pretty much just huge, budget-level CGI payoffs over and over again.

How about that final act scene where he tears the bedroom up in a fit of blind rage?

Touche Senator_Corleone…

Can I get an amen…
For one Tommy Wiseau.

Best skeleton line: "She's a sight for sore bones."

Yeah, you're probably right… And either of those films would be equally good choices.

I'm with Dravez and TWfS on this one. I could probably think of other films from this decade that I'd rate as equals but none that scream to be noted as objectively better, or that achieved what they meant to in MORE succinct a fashion. There is also an incredible "timeliness" about this film that I think Dravez…

Oh dear God, that scene in The Elephant Man when he's being chased through the subway station and stops, back to the wall to say "I am not an animal! I'm a human being!"… That pretty much destroys my soul on every level.

A peanut, girl!

"Ya see, a ho fucks everybody but a bitch fucks everybody BUT YOU."