Yep, he does that in St. Louis, too. It must be a Clear Channel/Emmis thing.
Yep, he does that in St. Louis, too. It must be a Clear Channel/Emmis thing.
Ethan Embry's best role since his last movie!
I never understood babies in the dumpster before, but now…
Saw this in the theater. Had a HUGE crush on Robin Tunney. Soundtrack kicks ass.
That wasn't a judgment call either way. I love both tunes, and I still think that "Loser" perfectly nailed the air of the alt nation in '94. But "Pepper" did it justice.
Of course, the punchline to the Buttholes' only radio hit is that it's a direct lift of "Loser". If you're gonna sell out, might as well go all the way.
The inclusion of actual songs would have been a welcome addition.
I mean, they're not wrong.
Yeah, not no more it ain't.
GOD, what a great fucking movie. Heavy as hell family drama disguised as a monster flick. Brilliant. After Gin gwai, it's my favorite horror film of the decade.
Those are indeed gorgeous, but goddamn, they need to quit with this limited release shit.
Did it challenge the assertion that science is real and monsters are not?
It really is a mystery as to why this film wasn't a smash hit in theaters—it came out just weeks after The Lost Boys (and garnered an even wider release), was cowritten by Shane Black and had makeup effects by Stan Winston, and even made direct reference to Ghostbusters in its marketing materials. Maybe it was just…
Come on, you guys! Don't be chickenshit!
Patrick Renna is a Scientologist now, just as long as we're sharing heartbreaking childhood hero updates.
No, man, it was HUGE in the early days of video. It was everywhere. And its fans were legion. It's not nearly as obscure as everyone makes it out to be.
Bang.
My favorite find is the double-sided six-foot Creepshow poster that shall someday grace the dining room of my future home.
I favored VideoHound, but the principle is the same.