avclub-1a344877f11195aaf947ccfe48ee9c89--disqus
Immaculate Misconception
avclub-1a344877f11195aaf947ccfe48ee9c89--disqus

Another perfectly executed Bellona-ism.

I thought their covers album they put out last year was the best thing they'd done since "Let Go." But I haven't got super high hopes for this one, either, somehow.

"You have become a fool, Satoruman, and yet pitiable."

"There's no other word for it."

Aerosmith taught the world that you've got to be insaaaaane to jack a little bitty baby.

Agreed. There is nothing wrong with this other than it sounds like Steven Tyler.

People should just man up and belt out the high part, like the beer-swilling pub song it is. If sloshed Englishmen can sing it, so can you.

Ain't that America?

Who the hell is Jason Aldean? I've heard of all these other folks, in both time frames. Apparently I'm not invited to his kind of party.

It was like listening to the world wake up from history.

Honestly, how was "Who Let the Dawes Out?" not mentioned earlier in these comments?

I blame Kieślowski.

Snow?

The way I remember it, in the late '90s, Johnny Cash was only cool among the college radio crowd. The mainstream was starting to turn around and appreciate him, but most folks were still, "Country music? Ew."

One time, in college, I went to bed relatively early (read: midnight) because I had a final the next day. And there was this banging noise outside my window. I looked out, and this guy from a neighboring fraternity house was beating a forklift pallet with a crowbar. When my roommate went outside and asked him to stop,

Ha. Titular.

"Come on, Khalid. Take an interest in freedom!"

MEGAVELVET!

The star power of Juliette Lewis?

They're missing an E, too!