avclub-1982161d0fe636d1caabd47a2ac23e12--disqus
username too long
avclub-1982161d0fe636d1caabd47a2ac23e12--disqus

I didn't have this problem, the one thing I hate about gigs in London is that pretty much anything will sell out instantly (his gig ten days ago, admittedly in a small-ish theatre, sold out in less than a minute, plenty of irate fans on Facebook), no time to debate whether you want to go or not, you just need to hope

No, she said his name was Ken Adams.
(Joey raises his hand, points at himself with the other) KEN ADAMS!

I won't try to defend Nocturama or analyse why it was a mistep as it would involve listening to it again.
Not quite sure what I was aiming at with that comment, probably shouldn't post back from the pub (bartender was whistling Red Right Hand, it was a nice touch).
That review is actually my go-to example of how dumb

He also said in an interview that Last Action Hero was an adaptation of Cinderella, you have to wonder how serious he is about these things.

And Joey was Ken Adams when hitting on women, used to great effect in the The One with the Videotape, a late episode but one that still makes me laugh more than most in the series.
"It's an expression"

A Nocturama review blamed the quality of the album on his having quit heroin, so who knows?

@avclub-b20754d0f1e8ae843e00a8b39a667112:disqus  A place on the sex offender registry.

You always need to see him live. Again and again and again and again and…
The LA show on the 21 will be streamed live if you want to check.

This could be linked to @avclub-9064c6ee949d6a2193e19a89b1eb405d:disqus 's comments, both have expressed violent verbal outbursts, but what really did Mel Gibson in were the racist comments more than anything else; Michael Richard's career isn't doing so great either.
If Alec Baldwin did say that (and I mean if), there

I haven't yet listened to the album, but saw one of the live performances (the LA one on the 21st will be streamed live btw), and it was certainly lively, out of the whole show Your Funeral…My Trial or Love Letter were the low-key moments rather than the new album.

I'm pretty sure he is part of the current touring band, he even got an introduction (or he was the one who was off sick, not sure, his name was uttered though) when almost everyone else had:"You know who they are"

Agreed about Murder Ballads (was also the first I heard), I haven't listened to it in years; as far as I'm concerned that's the one where Nick Cave was trying too hard to be Nick Cave (although The Curse of Millhaven is still the funniest thing he's written).

I took advantage of the Criterion catalogue on Hulu to watch:
F for Fake, Welles' "documentary" about fakery in art, it was really fascinating and fun, if a bit strange; I didn't know anything about it beforehand, and ended up being very pleasantly surprised.
Simon of the Desert: Bunuel's movie about a saint who lived

@avclub-501c54d131c3b93043a744af0c259c58:disqus You should download Media Hint, a quick check didn't raise any alarms, and it's working.

And this is the day I finally make the effort to look up how to watch Hulu from outside the US.
Thanks!

Pedantry moment, the third title in the Road trilogy is Wrong Move, not The American Friend.

It's available as a zone two DVD, not perfect if you're in the US, but it should still be possible to find a way to watch it.

Yes, but it starts "We were a match, she was a catch", I don't remember the lyrics to the whole song, but I'm pretty he meant they were having great sex, not that he was setting her on fire.
And his lyrics can be dark and violent, but they are stories, not boasts. I don't think Stagger Lee is meant to be inspiring.

I want to say late teens early twenties? I think they were at uni, I hope I would have been a bit more marked had the relationships been illegal.
But it's one of these books I know I've read (I even remember where and when) but just don't remember anything about.