Undeclared seemed to have a disproportionately high number of actors who didn't re-appear within the Apatow stable: Keena, Charlie Hunnam, Timm Sharp, Jarrett Grode.  ..

Undeclared seemed to have a disproportionately high number of actors who didn't re-appear within the Apatow stable: Keena, Charlie Hunnam, Timm Sharp, Jarrett Grode.  ..

F?!  Well, I had sex with your wife!

F?!  Well, I had sex with your wife!

Nick Cave also wrote Charlies Angels: Full Throttle.  Little known fact.

Nick Cave also wrote Charlies Angels: Full Throttle.  Little known fact.

It's enough to drive me crazy if I let it.

It's enough to drive me crazy if I let it.

Heh heh. . . Buzz Miller. . . I dig what you're putting down, man. . .

Heh heh. . . Buzz Miller. . . I dig what you're putting down, man. . .

I suppose this was inevitable.

I suppose this was inevitable.

The Japanese? Those sandal-wearing goldfish tenders? Ha ha! Bosh! Flimshaw!

The Japanese? Those sandal-wearing goldfish tenders? Ha ha! Bosh! Flimshaw!

Went to see Sleepwalk With Me.  It's fun and entirely likeable, though it doesn't add too much if you're familiar with any previous incarnation of the story.  Mike's Q & A before the film was a lot of fun though.

Went to see Sleepwalk With Me.  It's fun and entirely likeable, though it doesn't add too much if you're familiar with any previous incarnation of the story.  Mike's Q & A before the film was a lot of fun though.

I see that the clarifying adverb "fictionally" has been added to the headline.  The famously litigious Church of Schurentology strikes again!

I see that the clarifying adverb "fictionally" has been added to the headline.  The famously litigious Church of Schurentology strikes again!

I haven't seen the movie, but my impression is that both aspects you and I mention - practical set construction and less accessible shooting methods - are part of what's discussed in the film.  Digital production, digital effects and digital post are all part of the same sea change, after all.

I haven't seen the movie, but my impression is that both aspects you and I mention - practical set construction and less accessible shooting methods - are part of what's discussed in the film.  Digital production, digital effects and digital post are all part of the same sea change, after all.