Fuck! Shit! Horse piss! Son of a two-balled bitch! Motherfucker!
BBC3 did almost nothing to promote it and barely repeated it at all, shame because it's brilliant.

It works for the scene but I don't think it gels with her perfectionist characteristics (particular about her cooking) that were emphasized in the episode before, when she has to leave someone else in charge of the Independence kitchen.

Wasn't Sookie's clumsiness written out of her character by this point? It seems kind of odd to bring it back for that bit about the cut in the back of her chef's jacket. There's also a mention of the frog/turtle thing Lorelai keeps her spare key in, so maybe the writer had just been re-watching Season 1 before writing…

"That's too many black guys, dude. The ratio's off!"
-The producers of The Walking Dead.

If we can forgive him for the music of Crucifictorious, we can forgive all that he has done on Breaking Bad.

It would have been so easy to set the scene where Luke fixes Lorelai's shoe and says that he might want children with the right person in Luke's, or outside, or anywhere not in the dance hall. I know it's minor in the grad scheme of things but I find it baffling too.

Also for every scene in the dance studio/town hall (where Lane is giving out sandwiches) it's night outside regardless of whether it's the beginning, middle, or end of the dance contest.

Yeah, I had forgotten about that but I think that was more too do with Lorelai being annoyed at herself for creating a situation were Rory felt that she had to lie or withhold something from her.

'Conformity with tradition and acquiescence to someone else's expectations' pretty much describes Lorelai's upbringing in a nutshell so I'm confused by what you mean that Harvard represents one for her but not the other.

Plaintiff Mad

That, or he was thinking "No, no, a bra is for ladies. Meet… the 'Bro'."

@avclub-3a7e51d147107126d603db6022ddd70b:disqus , Yeah I think Emily and Lorelai's relationship in the timeline of the show tells us enough of what we need to know about teenaged Lorelai, as Emily still somewhat treats her like a child and Lorelai kind of regresses around her mother.
I've always thought that moving…

There are still more cable shows that follow a seasonal pattern, albeit a different one to broadcast networks - Boardwalk Empire, Homeland, It's Always Sunny In Philadelphia, Nurse Jackie, Game of Thrones, than there are ones that are more erratic - Curb Your Enthusiasm, Breaking Bad.

British TV doesn't air seasonally in the way most American TV does, programs don't come out at roughly the same time each year and consistency with the same time/day isn't important. US TV seasons are like the seasons while UK TV series' are like the seasons in Westeros.

It would have also given reason to Mrs Kim's insistence that Lane live life a certain way. As Mrs Kim wouldn't believe in re-marriage or having children out of wed-lock, Lane would be her only hope of passing on a legacy (in the genealogical sense) that adhered to her own personal morality and religious beliefs.

"Oh, right. This is Gilmore Girls. Patience, kids. First, a whole episode about applying to college and another about Lane dyeing her hair."

Basically every line Paris has in the first episode could be on that list, and I'm glad to see that most of them are. I also like the part where she makes Rory hide in the closet.
"Well?"
"Perfect."
"Promise?"
"Swear."
"Thanks, now get in the closet. "

I think you're thinking of the "The Borgias", but you're point still stands unless they were getting an insane amount of page views with only 30 comments.

I think of it as the perfect "I'm glad I don't know more about you" face.

I think there is a bit of a shift in how Richard sees the business world in between episodes as well. In the former he still has the taste of the confidant and stable world of the insurance executive and so looks down on the unprofessional way Lorelei flirts with the laundry guy to get what she needs. Here he's…