Ha, had the same thought. Also, "More than a teacher" for the murdering meth kingpin is a pretty big backhanded slam on educators.

During Walter's whole assassin spiel I was thinking "'Best hired killers west of the Mississippi?' Who talks like that?" and that maybe, just maybe, something was up. Then two very un-hit-men-like shapes were scuttling toward Walter's car and I remembered seeing Matt Jones' name in the credits and I started pumping my…

Said this above, but that ringtone was the perfect fuck you to Todd. What a chump.

So that hilarious yuppie conversation between Gretchen and her husband was designed to make us WANT Walter to murder them, right? So insipid (but not falsely so, it did sound like the talk a couple has when no one is around to hear them).

Just adding to the chorus, that scene was amazing and I'm with @avclub-951d3e731b6b2ac1e93cbba6e1b68e80:disqus on its importance to the show.

I liked Uncle Jack's "hold it hold it" *picks up cigarette, drags* "OK, now we can talk." Nazi shitheel, but that was a boss move.

@Charlotte_Grote:disqus I went on about this above, should've scrolled down earlier. I think it's a happy ending that becomes darker the more you look at it and that the only sins Walter is interested in absolving are the ones he feels responsible for, which are a bare fraction of the sins he's committed. So happy for…

Yeah, he did. Which I was not expecting at all.

The "alive" line, and Walter's admission that yes, it was all about him, was the biggest jaw-drop of the episode for me. Donna brings up the RV line from the first episode, but "alive" was a callback to another line from right before that one — Walter to Jesse, saying he feels "awake."

I think singer to actor has a far, far greater success rate than actor to singer. A lot of singers already "act" by creating and maintaining a personality onstage, they might not be able to stand up to someone who's been acting all their lives but they can do an OK job, especially in the context of an ensemble. But…

I love the goofy gophers! I'm not entirely convinced they weren't the premise behind Frasier.

It's not just that Sniffles is awful — unfunny, unanarchic, sentimental, gooey, tedious, insipid, in each and every facet of his existence the antithesis of the other Looney Tunes characters. It is that he was the bullet in the chamber of the Russian Roulette that was Saturday morning cartoon airings, you did not know…

If not my favorite then high up there — Sylvester trying to save an oblivious Porky from the evil mice. Creepy and awesome.

I liked the Chicken Hawk. Anyone who thinks Foghorn Leghorn is an asshole is OK in my book.

There's a Tweety/Sylvester/Spike cartoon that has one of the creepiest sequences I've ever seen in any medium. All three of the characters are laid up in the hospital for some reason but still wind up cracking heads. At one point, Sylvester has pissed off Spike and is trying to escape, but a nurse grabs him and gives…

"Oh no! The little man from the DRATHTHT board!"

You can never teach kids to associate associate work with unending battery and pain too early, I think.

This … this better be sarcastic. Or ironic. Sincere Sniffles advocacy should be punishable by death.

Oh man, finding out the actual end of the Davy Crockett story is pretty damn depressing after watching those shorts over and over on the Wonderful World of Disney.

I'm pretty sure that hasn't been aired in decades but I remember seeing the fantastic "Gremlins From The Kremlin" during the old Saturday morning Looney Tunes block in the late 80s or early 90s. Presumably because no one gave a crap about possibly offending the Russians, and because kicking the absolute crap out of…